4-section, uncabled, anodized aluminum, non-rotational Boompole; extends from 3’2.5? to 10’10” (98 cm – 330 cm)

The American DJ Event Facade (black/white) is a lightweight, durable facade designed to give DJ booths and stage fronts a polished, professional appearance. The reversible panels provide a versatile black or white backdrop to match any event color scheme or lighting design. Easy-to-assemble mounting hardware and modular sections make setup and teardown fast for rental events, while the sturdy construction ensures stability during performances. Ideal for weddings, corporate events, club nights, trade shows, and private parties where a clean, finished stage presentation is required. Features & specs: - Reversible black/white panels for flexible styling - Modular sections for customizable widths - Quick-connect mounting hardware for fast install and teardown - Lightweight aluminum frame with durable panel material - Fits standard DJ table heights; can be riser-mounted - Compatible with under-table lighting and LED strips - Dimensions: (specify per unit) — provide exact width/height if needed - Condition: well-maintained, rental-ready Recommended uses: - Wedding receptions and ceremonies - Corporate events and product launches - Nightclub and bar DJ setups - Private parties and themed events - Trade show booths and promotional displays

At 14.96" (380.0 mm) in length, the AT815ST is engineered for long-distance pickup in broadcasting and film/TV production. The AT815ST features internal matrixing innovations that allow for professional quality stereo audio with or without an external matrix. Its compact, lightweight design is perfect for camera-mount use. The AT815ST also features switchable low-frequency roll-off and independent line-cardioid and figure-of-eight condenser elements.

LED lite panel does 3200 to 5500

The AN-16/i v.2 Input Module is used to connect up to 16 balanced line-level inputs from a console’s direct outputs, insert points, aux sends, and/or submixes to a personal mixing system or digital snake. When used alone, one AN-16/i v.2 can generate a single 16-channel A-Net signal. The A-Net In on the AN-16/i v.2 allows multiple Pro16 input devices (including console cards, AN-16/i-M, AV-M8, and the original AN-16/i) to be connected together to generate the higher channel count Pro16e™ version of A-Net used by the A360 Personal Mixer and A320 Personal Mixer. Analog line-level audio connected to the TRS inputs on the AN-16/i v.2 is converted to digital and transmitted via the Pro16e version of A-Net® over Cat-5e cable to Personal Mixers or Pro16 output devices. Higher channel count A-Net streams can be generated by daisy chaining additional Pro16 Series input devices via the A-Net In jack on the AN-16/i v.2. The four-position slot range switch allows each AN-16/i v.2 in a system to be assigned to one of the four slot ranges supported by the Pro16e protocol, increasing the total audio sources available to the personal mixing system to 64. Building Blocks for Personal Mixing Systems The AN-16/i v.2 is typically placed near the front-of-house or monitor console to simplify patching when it is used as the head-end for a Pro16 personal mixing system. Audio from the console—any combination of channel inserts, direct outs, submixes, auxes, or groups—is connected to the TRS input channels on the AN-16/i v.2. A dedicated audio thru jack is available for each input channel, allowing the AN-16/i v.2 to be seamlessly inserted into an existing audio signal path. When used with A360 and A320 Personal Mixers, the Pro16e protocol allows stereo inputs sources to be seamlessly integrated into a personal mixing system. Each odd/even pair of inputs on the AN-16/i v.2 is automatically assigned to a single channel button on the A360 when a stereo source is connected. Note that the original A-16 Personal Mixer is not compatible with the AN-16/i v.2. Digital Snakes and Audio Networks Used in conjunction with the AN-16/o v.4 Output Module, the AN-16/i v.2 can also be used in a digital snake as an input path for main return signals from front-of-house to signal processors and amps at the stage. The SB4 System Bridge can be used to combine up to four Pro16 or Pro16e A-Net streams onto a single Cat-5e cable in a variety of bidirectional configurations. The flexibility and simplicity of the Pro16 Series allows complex audio distribution systems and snakes to be created quickly and cost-effectively. TC Furlong offers Aviom AN-16/i personal monitor input module rentals alongside many other personal monitor mixers and an extensive rental inventory of professional audio equipment.

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96; long) and BP4029 (9.29; long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Audio-Technica s AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica' s shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

The A-16D Pro provides isolated (floating ground) DC power through the eight A-Net Outs; the ninth output is an unpowered A-Net Thru connector, designed for distributing a copy of the A-Net signal to a second A-Net Distributor or remote location. Inside the A-16D Pro is Aviom’s unique power sub-system design, which requires no external power supplies and which virtually eliminates the possibility of introducing hum or ground loops. The A-16D Pro can also be used as a central hub in an audio distribution system or snake, providing outputs to multiple locations or redundant outputs to a single location. All connections on the A-16D Pro are on the front panel. A pass-through cable cutout is provided for flexible cable routing. As with all Pro16 Series products, Cat-5e cable runs from the A-16D Pro to each connected Personal Mixer can be up to 500ft/150m long. The A-16D Pro can be connected to the Pro16 A-Net outputs on the ASI A-Net Systems Interface to enable Pro64 digital snake and audio network systems to be interfaced with Pro16 monitoring systems. A-Net Input- One EtherCon RJ45 connector A-Net Thru- One EtherCon RJ45 connector, unpowered A-Net Outputs- 8 EtherCon RJ45 connectors, powered (DC) LEDs- Power On; A-Net Active Pro16 A-Net- 16 channels of digital audio over Cat-5e cable, Uses unshielded Cat-5e UTP (or better) cable Power Supply- Internal, universal switching type Cooling- One ultra-quiet fan Input Voltage- 100-240VAC, 50-60Hz, 60W Output Voltage for Personal Mixers- 18-24 VDC, 0.5 amp Transmitted over the Cat-5e cable Dimensions- 19″ (482.6 mm) wide x 14.25″ (362 mm) deep; 2U, 3.5″ (88.9 mm) high Weight- 12.0 lbs (5.44 kg)

Bright, professional 16:9 Stumpfl projection screen kit — 7 ft 11 in (H) x 14 ft (W). Fast to set up, wrinkle-resistant surface ideal for corporate presentations, film screenings, conferences and live events. Clean, high-gain material delivers sharp, even image reproduction for daytime or controlled-light environments. Key specs: Brand: Stumpfl Format: 16:9 widescreen Visible area: 7 ft 11 in × 14 ft (H × W) Use: front projection, suitable for projectors up to large-venue brightness Condition: professionally maintained, inspection and cleaning between rentals Included: Stumpfl projection screen kit (screen + mounting/frame hardware) Protective transport case(s) Basic setup hardware; on-site tech support or rigging available on request (additional fee) Rental notes: Recommended for events, corporate AV, film nights, and presentations Delivery, setup, and pickup available — quote upon request Contact us for availability, rates, and optional projector/AV packages

LitePanels’ Astra Soft Bi-Color LED Panel provides wide, soft, color-accurate white light to beautifully illuminate your talent. Adjustable from 3200K to 5600K, Astra Soft Bi-Color LED Panel adapts to fit your lighting needs, all in a lightweight and compact fixture. Astra panels provide industry-leading reliability with automatic flicker-free performance at any frame rate or shutter angle, and at any intensity level. With a low power draw of 105W, Astra Soft Bi-Color LED Panel delivers the same performance whether on location with battery power or in the studio. With a CRI/TLCI of 98, color rendition is perfect for flattering skin tones, and wrapping your subjects with unrivaled, beautiful light.

The Blackmagic ATEM 1 M/E Broadcast Panel is the ideal solution for professional broadcasters and video production studios seeking a high-quality hardware control panel for their Blackmagic ATEM switcher. This panel offers an ergonomic design with precision controls, allowing you to quickly and easily manage up to 10 input sources, control transitions and effects, and more. The ATEM 1 M/E Broadcast Panel features a compact form factor, making it perfect for use in small broadcast studios or on location shoots. Its intuitive layout provides quick and easy access to all the essential controls you need to produce professional-quality video productions. With this panel, you can access all the essential controls you need to manage your switcher, including a wide range of transitions, DVE positioning, and a variety of keying options. The high-quality buttons and knobs provide precise control, while the built-in LCD screens provide live feedback on your current settings. Designed to work seamlessly with the Blackmagic ATEM switcher, the ATEM 1 M/E Broadcast Panel is an essential tool for any professional video production studio. So if you want to take your video production capabilities to the next level, this is the perfect control panel for you.

ATEM Mini Pro is fast to set up and easy to use. It includes 4 standards converted HDMI inputs, USB webcam out, HDMI out, Fairlight audio mixer with EQ and dynamics, DVE for picture in picture, transition effects, green screen chroma key, 20 stills media pool for titles and free ATEM Software Control. ATEM Mini Pro also includes direct recording to USB flash disks in H.264 and direct streaming via Ethernet to YouTube Live and more. There's also a multiview with 4 cameras, media, preview and program plus status of recording, streaming and audio. Connections Total Video Inputs 4 Total Outputs 2 Total Aux Outputs 1 Total Audio Inputs 2 x 3.5mm stereo mini jack. Total Audio Outputs None, embedded audio only. Timecode Connection None HDMI Video Inputs 4 x HDMI type A, 10-bit HD switchable. 2 channel embedded audio. Video Input Re-Sync On all 4 HDMI inputs. Frame Rate and Format Converters On all 4 HDMI inputs. HDMI Program Outputs 1 Ethernet Ethernet supports 10/100/1000 BaseT for live streaming, software control, software updates and direct or network panel connection. Computer Interface 1 x USB Type-C 3.1 Gen 1 for external drive recording, webcam out, software control, software updates and panel connection. ATEM Mini Pro Standards HD Video Input Standards 720p50, 720p59.94, 720p60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60 HD Video Output Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 Video Streaming Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 Ultra HD Video Standards None Video Sampling 4:2:2 YUV Color Precision 10-bit Color Space Rec 709 HDMI Input Resolutions from Computers 1280 x 720p 50Hz, 59.94Hz and 60Hz 1920 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60Hz 1920 x 1080i 50, 59.94Hz and 60Hz Colorspace Conversion Hardware based real time. Product Specifics Upstream Keyers 1 Downstream Keyers 1 Advanced Chroma Keyers 1 Linear/Luma Keyers 2 Transition Keyer DVE only. Total Number of Layers 5 Pattern Generators 1 Color Generators 2 DVE with Borders and Drop Shadow 1 Interface Minimum monitor resolution of 1366 x 768. Audio Audio Mixer 6 input x 2 channel mixer. Selectable On/Off/Audio-Follow-Video per channel plus separate gain control per channel. Level and Peak metering. Plus new Fairlight audio enhancements: Compressor, Gate, Limiter, 6 bands of parametric EQ. Master gain control. Analog Input Unbalanced stereo Analog Input Delay Up to 8 frames Input Impedance 1.8k Max Input Level +6dBV Mic Plug In Power Available on both 3.5mm mini jack connections. Streaming Direct Streaming ATEM Mini Pro supports direct live streaming using Real Time Messaging Protocol (RTMP) over ethernet or a shared mobile internet connection over USB‑C. Recording Direct Recording 1 x USB-C 3.1 Gen 1 expansion port for external media to direct record a .mp4 H.264 with AAC audio at the ATEM video standard. Media Format Supports media formatted ExFAT (Windows/Mac) or HFS+ (Mac) file system. Multi View Monitoring Multi View Monitoring 1 x 10 Views including left right configurable Program/Preview, 4 HDMI inputs, Media Player, Streaming Status, Recording Status and Audio Meters. Multi View Video Standard HD Media Player Media Players 1 Channels Fill and key for each Media Player. Media Pool Still Image Capacity 20 with fill and key. Media Pool Still Image Format PNG, TGA, BMP, GIF, JPEG and TIFF. Control Control Panel Built in control panel. Software control panel with camera control included. Supports optional hardware panel. Control Panel Connection Ethernet supports 10/100/1000 BaseT. Ethernet used for direct connection between panel and chassis or via network. ATEM Mini Pro also supports direct USB-C connection. Ethernet or USB-C used for updating the software. Control Panel Compatibility Includes ATEM Software Control Panel. Also compatible with ATEM 1 M/E Advanced Panel and ATEM 2 M/E Broadcast Panel. Control Panel Included ATEM Software Control Panel included free for Mac 10.14 Mojave, Mac 10.15 Catalina or later and Windows 10 64 bit only. Software Software Updates Using USB or Ethernet connection directly connected to Mac OS X or Windows computers. Includes ATEM Switcher Utility.

LENS 4.3-129mm OPTICAL ZOOM 30x HORIZONTAL ANGLE OF VIEW 63.7° (W) 2.3°(T) APERTURE F1.6 (W) F4.7 (T) VIDEO OUTPUT NDI /HDMI /SDI VIDEO FORMATS 1080p 60, 59.94, 50, 29.97, 25 1080i 60, 59.94, 50 720p 60, 59.94, 50 AUDIO I/O 3.5mm Audio In (Stereo) 3.5mm Audio Out (Stereo) IP PTZ CONTROL NDI Control (auto configuring), VISCA IP SERIAL PTZ CONTROL 2x RJ45: RS232/RS422/RS485 SERIAL CONTROL PROTOCOL VISCA / PELCO D OWER INPUT 12V DC, PoE+ (IEEE 802.3at) POWER CONSUMPTION Min: 15.2W; Max: 19.7W (PTZ move simultaneously) DIMENSIONS 160x178x220mm WEIGHT 2.0Kg

The Blackmagic Design ATEM 2 M/E Broadcast Panel is a perfect companion to a professional live switcher, such as Blackmagic Design's ATEM 2 M/E Production Switcher (not included). With a broad field populated by high-quality buttons, knobs, T-bars, and a 3-axis joystick, you'll be able to customize your panel's operation to your exact needs and preferences – without compromise. Complex, multi-layer productions deserve a versatile panel, and the ATEM 2 M/E certainly fits the bill for live broadcast events. All controls are at your fingertips, so you can instantly command the switcher to switch cameras and execute transitions, fades, DVE effects, and more. This 37" wide panel gives you plenty of elbow room in which to operate. The ATEM 2 M/E Broadcast Panel connects to a switcher via 10/100/1000 BaseT Ethernet, and there's loop-through Ethernet for connecting to another panel or to a media-management computer. The panel receives firmware updates via its USB input.

The Aviom A-16II is just one of many personal monitor mixers in our rental inventory. Designed for use in live performance or in the studio, the Aviom A-16II Personal Mixer gives each performer control over channel volume, grouping, pan, stereo spread, as well as master volume and tone. Every Personal Mixer in a system can create a unique monitor mix for a performer. Users can save and recall up to sixteen custom mixes as presets in their Personal Mixer. Stereo Output for Wired or Wireless IEMs The TRS stereo output from the A-16II can be used to drive wired or wireless in-ear monitors (IEMs), headphones, powered floor wedges, an amplifier, or spot monitors. The A-16II Personal Mixer is fully compatible with all Pro16 Series products, including Aviom’s Y1 A-Net card for Yamaha digital mixing consoles. Support for the industry standard Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers (including Avid(Digidesign), DiGiCo, Soundcraft, Innovason, Tascam). Many other digital console manufacturers offer a Pro16 A-Net output option. Power Over Cat-5 Personal Mixers can be daisy chained or connected in parallel using an A-Net Distributor. Parallel connections also allow DC power to be supplied to the mixers over the Cat-5e cable. The A-16II supports Cat-5e cable runs of up to 500 feet (150 meters) between devices, and there is no practiacal limit to the number of personal mixers in a system. Compatibility All Pro16 Personal Mixers, including the A-16II, A-16R, and A360, can be used in any combination when creating a personal mixing system. Adding an ASI A-Net Systems Interface to a Pro64 network allows a Personal Mixer to output any 16 channels from a Pro64 digital snake or audio network. Audio Output- 1/4-inch TRS stereo, headphone or line level Line/Headphone TRS Output- Tip: Audio Left; Ring: Audio Right; Sleeve: Ground Auto-detects mono plugs A-Net Input/Output- 1 A-Net input, 1 A-Net output; Category 5 (RJ45 connector) Digital to Analog Conversion Bit Depth- 24 bit Signal to Noise Ratio- (Referenced to 0dB) -103dB Latency- <0.880 msec (measured from analog input to analog output) Pro16 A-Net- Uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between devices Treble +/-12dB at 9kHz shelving Bass- +/-12dB at 160Hz shelving Maximum Levels (RMS)- Line/Headphone outs: 1.0 watt at 100 ohms Impedance- Line/Headphone outs: 32 ohms Dimensions- 10.75″ (273 mm) wide x 5.6″ (142.2 mm) deep; 2.25″ (57.5 mm) high Weight- 3.4 lb (1.54 kg)

Looking for a powerful switcher for your live productions? The Blackmagic ATEM 2 M/E Broadcast Studio 4K is a professional-grade device that allows you to manage multiple video sources and produce high-quality content with ease. Featuring 20 12G-SDI inputs and 16 outputs, this switcher can handle up to 2160p60 4K resolution video. Its advanced control panel offers quick access to essential functions and allows for real-time adjustments during live broadcasts. You can also use the built-in multiview feature to monitor multiple video feeds simultaneously. The ATEM 2 M/E Broadcast Studio 4K includes a powerful hardware processor that allows for high-speed switching, chroma keying, and visual effects. With 22 customizable transitions, DVE, stinger, and graphic overlays, you can add a touch of creativity to your productions. The switcher is compatible with a variety of software and hardware, including popular editing and graphics programs. It also supports Ethernet and USB connections for remote control and customization. If you’re looking for a reliable and versatile switcher for your next production, the Blackmagic ATEM 2 M/E Broadcast Studio 4K is an excellent choice. Its robust features, intuitive controls, and exceptional video quality make it a go-to solution for broadcasters, production companies, and content creators alike.

Configuration of the 16 input sources for an Aviom monitoring system can be done digitally from the Yamaha consoles user interface. This gives the console operator the option of routing any combination of channels, direct outputs, aux sends, groups, or sub-mixes from the console to the Y1 card as needed. DIP switches are provided on the face of the Y1 card for stereo link configuration of each channel pair. MY8 and MY16 mode switches on the Y1 allow the A-Net card to be used with Yamaha digital mixers that support only 8-channel expansion cards, such as the PM1D. The Y1 card is also compatible with AV-P2 and AN-16/o Output Modules and the A-16D and A-16D Pro A-Net Distributors. As with all Pro16 Series products, Cat-5e cable lengths of up to 500 feet (150 meters) are possible between devices. Features: • Mini-YGDAI (MY) format, supported by most Yamaha digital consoles • One 16-channel A-Net output • Supports sample rates from 44.1kHz to 48kHz • • Channel Link DIP switches for stereo operation Applications: • Theatre • Conference • Rock n Roll • Live Event • Houses of Worship • Leisure Facilities

Blackmagic Design ATEM Mini Extreme ISO The Blackmagic Design ATEM Mini Extreme ISO is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher’s ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher’s eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds. Specifications Weight 1,23 kg Dimensions 36,98 x 13,64 x 3,96 cm Effect Types 2 x DVE 4 x Luma Key 4 x Chroma Key Graphics Memory 20 Images Number of video input sources 8 Input video formats HDMI (10 bit 4:2:2 YUV) 1080p: 23,98/24/25/29,97/30/50/59,94/60 fps 1080i: 50/59,94/60 fps 720p: 50/59,94/60 fps Video output channels 2 Output video formats HDMI (10 bit 4:2:2 YUV) 1080p: 23,98/24/25/29,97/30/50/59,94/60 fps

OPTICAL ZOOM 30x HORIZONTAL ANGLE OF VIEW 63.7° (W) 2.3°(T) APERTURE F1.6 (W) F4.7 (T) VIDEO OUTPUT NDI /HDMI /SDI VIDEO FORMATS 1080p 60, 59.94, 50, 29.97, 25 1080i 60, 59.94, 50 720p 60, 59.94, 50 AUDIO I/O 3.5mm Audio In (Stereo) 3.5mm Audio Out (Stereo) IP PTZ CONTROL NDI Control (auto configuring), VISCA IP SERIAL PTZ CONTROL 2x RJ45: RS232/RS422/RS485 SERIAL CONTROL PROTOCOL VISCA / PELCO D OWER INPUT 12V DC, PoE+ (IEEE 802.3at) POWER CONSUMPTION Min: 15.2W; Max: 19.7W (PTZ move simultaneously) DIMENSIONS 160x178x220mm WEIGHT 2.0Kg

ATEM Television Studio Pro HD is a broadcast quality all in one live production switcher with integrated hardware control panel designed for both broadcast and professional AV users. ATEM Television Studio Pro HD features 8 inputs, multiview, auxiliary and program outputs, analogue audio inputs, built in talkback, two flash based media players, professional creative transitions, a DVE for effects and more. ATEM Television Studio Pro HD combines a professional broadcast hardware control panel with a powerful 8 input switcher. It includes 4 SDI and 4 HDMI inputs, all with re-sync, so customers can connect a total of up to 8 different sources such as professional SDI broadcast cameras, consumer HDMI cameras, computers and even video game consoles.

For image control of four completely separate SDI video sources on a single display Allows control in any combination of SD and HD formats and frame rates simultaneously Overlays with information such as custom identifiers, audio level meters and more can be superimposed on each view Multirate support: automatic detection of SD or HD Audio level meters: Standard VU meter for each view SDI neutrality: All SDI outputs automatically switch between standard definition and high definition SDI rates: 270 Mbit, 1.5 G, 3 G SDI audio sampling frequency: 48 kHz and 24 bit SDI colour accuracy: 10 bit 4:2:2 and 4:4:4 SDI colour space: YUV or RGB for inputs, YUV for SDI outputs SD video standards: 525i/59.94 NTSC, 625i/50 PAL HD video standards: 720p/50, 720p/59.94, 720p/60, 1080p/23.98, 1080p/24, 1080p/25, 1080p/29.97, 1080p/30, 1080p/50, 1080p/59.94, 1080p/60, 1080PsF/23.98, 1080PsF/24, 1080PsF/25, 1080PsF/29.97, 1080PsF/30, 1080i/50, 1080i/59.94, 1080i/60 2K video standards: 2K DCI 23.98p, 2K DCI 24p, 2K DCI 25p SDI compliance: SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M-B, ITU-R BT.656 and ITU-R , T.601 Updates: USB 2.0 high-speed interface (480 Mbps). Compatible operating systems: Mac 10.12 Sierra, Mac 10.13 High Sierra or higher / Windows 8.1 and 10 Power supply: 12 V universal power supply with plug adapters suitable for most countries included Dimensions: 92 x 22 x 134 mm Weight: 242 g Connections: SDI video inputs: 4x 10-bit SD-SDI and HD-SDI SDI video outputs: 1x HD-SDI SDI video outputs for multiple display: 1x 10 bit HD-SDI HDMI video outputs for multiple display: 1 HDMI connector type A (output supports EDID data of the monitor) Reference input: None

The Blackmagic ATEM Camera Control Panel provides tactile camera control of four Blackmagic URSA Mini, URSA Broadcast, Studio, or Micro Studio cameras. Key features include: Works with URSA Mini, URSA Broadcast, Studio, or Micro Studio cameras Adjust exposure with gain, iris, and shutter controls Individual control over RGB black and white channels Integrates into existing ATEM systems via Ethernet connection Tactile Four Camera Control. The Blackmagic ATEM Camera Control Panel is a hardware control device specifically for Blackmagic cameras. The panel can control the exposure and color of up to four cameras and can be integrated into larger Blackmagic control systems. Scene presets let users quickly save and recall camera settings. Exposure & Color. This device is capable of fine control over camera exposure settings with it’s high-quality joystick. The joystick is used for iris and master black level adjustment while dedicated buttons are available for shutter and gain. Color is controlled by six RGB knobs; three for white RGB and three for black RGB. Compatibility. This control panel will only control Blackmagic URSA Mini, URSA Broadcast, Studio, or Micro Studio cameras. Cameras must be connected to a compatible ATEM switcher with SDI send and return cables for them to be recognized by the control panel.

The BirdDog PTZ Keyboard gives users exposure & movement control of up to 255 networked PTZ cameras & is compatible with NDI, NDI|HX, Visca over IP, RS-422, and RS-232 protocols. Key features include: Control exposure, white balance, backlight, gain, shutter, focus, iris, shutter speed, & zoom Control up to 255 network attached PTZ cameras Joystick for camera movement & rocker switch for zoom control Supports up to 256 memory presets with fully customizable parameters and camera moves BirdDog Family. The PTZ Keyboard is a universal, compact controller for PTZ cameras like the BirdDog P200. Please note, as of firmware version 4.5.203-LTS, this keyboard is not backwards compatible with BirdDog P-series cameras running legacy firmware and may require a camera update for use. We ship our products with the latest stable firmware release installed, so BirdDog cameras rented from us will be fully compatible. Tactile PTZ Control. The BirdDog PTZ Keyboard is a solution for moving PTZ camera control off of a screen and into your hands. You’ll get finer control and a faster workflow with a joystick and zoom rocker switch. The keyboard also has dedicated exposure, white balance, and focus knobs. NDI & Much More. This BirdDog controller is compatible with cameras using NDI, NDI|HX, Visca over IP, RS-422, and RS-232 protocols. When using NDI, users can take advantage of audio intercom support using BirdDog Comms. Power. This keyboard can be powered via Power over Ethernet (PoE), the serial port, or with the included AC adapter.

The Blackmagic Pocket Cinema Camera 6K redefines portable filmmaking with its Super 35 sensor and ability to capture stunning 6K RAW video. Designed for professional filmmakers and indie creators alike, this compact cinema camera delivers exceptional image quality with cinematic depth and rich color reproduction. Equipped with a Canon EF mount, the BMPCC 6K supports a wide range of lenses, giving you creative flexibility for any shoot. Its Super 35 sensor offers 13 stops of dynamic range and Dual Native ISO, ensuring excellent performance in various lighting conditions. The camera's ability to record in Blackmagic RAW or ProRes allows for seamless post-production workflows and uncompromising video quality. With features like a 5-inch HDR touchscreen for intuitive operation, built-in ND filters, and professional audio inputs, the BMPCC 6K is tailored for both controlled studio shoots and dynamic location work. Advanced connectivity options, including USB-C and HDMI, ensure easy integration into any production setup. The Blackmagic Pocket Cinema Camera 6K is a lightweight, versatile solution that delivers professional-grade performance without the bulk of larger cinema cameras. Whether you're producing a high-end commercial or a passion project, this camera is up to the task. Key Features: 6K Super 35 Sensor: Capture stunning high-resolution video with cinematic quality. Canon EF Mount: Compatible with a wide range of EF lenses for creative flexibility. Blackmagic RAW & ProRes: Choose between flexible codecs for professional workflows. Dual Native ISO: Exceptional low-light performance and broad dynamic range. Built-in ND Filters: Easily control exposure in bright environments. 5-Inch HDR Touchscreen: Intuitive interface for monitoring and camera control. Professional Audio Inputs: Includes mini XLR with phantom power for high-quality audio. Expandable Storage: Record to SD cards, CFast 2.0 cards, or external drives via USB-C. Compact & Lightweight: Portable design ideal for handheld, gimbal, or drone use.

The Smart Videohub 12x12 is a compact, mixed-format SDI router designed for rental use in live production, broadcast, and mobile workflows. It combines a built-in control panel and monitoring with flexible 6G-SDI connectivity so rental customers can route SD, HD, and Ultra HD signals on a single unit without format converters. Key Features 12x 6G‑SDI inputs and 12x 6G‑SDI outputs, enabling simultaneous SD, HD, UHD 4K, and DCI 4K sources. Auto-detects and switches standards, instantly handling SD, HD, Ultra HD 4K (3840 x 2160 up to 30p) and DCI 4K (4096 x 2160 at 24p). Built-in SDI reclocking on every input for reliable signal integrity over long cable runs. Supports 8-, 10-, and 12‑bit 4:2:2 and 4:4:4 signals with 10‑bit processing options and support for 16 channels of embedded audio per SDI link. Front panel control and monitoring including on-screen labels, push-buttons, an LCD screen, and a spin knob for visual routing. Network control options via Ethernet. Compatible with Videohub control software, Videohub Smart Control and Master Control panels, and an Apple iPad app. Developer SDK included for custom control integrations on Mac and Windows. Use Cases Small broadcast trucks, fly-away kits, and event production where compact, multi‑format routing is required. Studios needing support for mixed SD/HD/4K workflows without format conversion hardware. Rentals that require straightforward local and remote control, visual routing feedback, and reliable SDI reclocking. Included with your rental Smart Videohub 12x12 unit in a machined aluminum 1RU chassis. Videohub control software for Ethernet control, and compatibility with Videohub control panels and the iPad app. Software developer kit for custom control solutions on Mac and Windows. Customer must supply an IEC power cable; Ethernet cables and SDI cabling may be provided per rental agreement.

Blackmagic ATEM Television Studio Pro 4K for hire Features: Eight 12G-SDI inputs, each with re-sync and low-latency conversion Supports HD video signals up to UHD 4K 2160p60 12-input, 2-channel Fairlight audio mixer UHD 4K multiviewer with up to 10 windows CCU functions for compatible cameras ATEM advanced chroma keyer Integrated talkback feature for compatible cameras Powerful DVE processor, 2-clip media pool with fill and key Mac and PC compatible ‍ Specifications Inputs: 8x 12G/HD/SD-SDI BNC, Audio 2x 3-pin XLR, 1x Reference BNC Outputs: 8x12G/HD/SD-SDI BNC, 1x Auxiliary BNC, 1x Program BNC, 1x Multiview BNC, 1x Headphone Other: 1x RS-422, 1x Ethernet, 1x USB 2.0, 1x AC power in, 1x 4-pin XLR power in Formats: UHD 2160p: 59.94/50/29.97/25/24/23.98 HD 1080p: 59.94/50/29.97/25/24/23.98 - 1080i: 59.94/50 - 720p: 59.94/50

The Arcadia X4 48P includes an Arcadia Central Station and one 4-pin XLR female headset. The Central Station supports up to 32 Free Speak II or Free Speak Edge beltpacks, 16 IPT transceivers, and up to 10 E1 transceivers with 48 ports of connectivity. The system is designed to integrate analog wired and digital wireless party-line systems, including the full range of FreeSpeakâ„¢ products. The Central Station supports wired and wireless endpoints and third-party Dante-enabled audio devices while transmitting high-quality 12kHz audio from a single standard 1RU device. Two large high-resolution TFT color touch screens and four rotary encoders allow you to easily navigate menus and pages to administer changes on the fly. Clear-Com's integrated Core Configuration Manager makes setup quick and trouble-free its intuitive interface.

Get one of the world’s most compact and advanced switchers with the new ATEM 4 M/E Broadcast Studio 4K. You get an incredibly high performance live production switcher designed to work with the latest formats and high frame rates, all the way up to Ultra HD 2160p59.94! You get 16 next generation ATEM Advanced Chroma Keyers with 4 per M/E, perfect for advanced work and virtual sets. As the most advanced ATEM switcher, this model also includes the latest technology and features such as 2 Ultra HD multi viewers, full 2D DVE, built in SuperSource compositing engine with 4 picture in picture DVE's, full re-synchronization on each 12G-SDI input and much more! The multi rate 12G-SDI connections automatically switch between all HD and Ultra HD formats up to 2160p59.94 with a single BNC cable! Even if you're not working in Ultra HD now, the ATEM 4 M/E Broadcast Studio 4K has all the power and features for the highest end live production work, while being Ultra HD ready the instant you need it! Specifications SDI Inputs: 20 x 10-bit HD/Ultra HD 4K switchable. 2 channel embedded audio. SDI Outputs: 3 x 10-bit HD/Ultra HD 4K switchable, 1 x 10-bit (From Ultra HD 4K to HD), 1x SDI Preview Aux Outputs : 6 in total Audio Input: 2 x XLR. 2 x RCA, Extra Audio Inputs/Outputs: 1 x XLR Timecode and 1 x XLR Talkback Audio Outputs: 2 x XLR Program 2 x XLR Monitor, 2 Ch embedded into SDI output on all outputs.

The Brightsign XT1144 is a rental-grade media player engineered for immersive digital signage environments. It combines high-performance video and graphics processing to deliver smooth 4K playback and multi-channel audio in professional installations. Rentals are provided for temporary deployments where reliable, high-quality playback is required. Key Features 4K60 video output: HDMI 2.0a output supporting up to 4K60p for crisp, high-frame-rate visuals. Broad codec support: Hardware decoding for H.265, H.264, MPEG-2, and VP9 to ensure compatibility with common media formats. Multi-channel audio: LPCM or compressed audio output for up to 8 channels, suitable for immersive sound setups. Compact form factor: Dimensions 7.8" x 5.2" x 1.5" (197mm x 131mm x 38mm) and lightweight at 1.6 lbs (0.73 kg), simplifying rack or shelf integration. Use Cases Retail displays: High-resolution product videos and dynamic signage in storefront windows or in-store screens. Events and trade shows: Temporary installations requiring reliable, high-quality playback for presentations or exhibit signage. Museums and galleries: Video exhibits that need accurate color and smooth motion at 4K resolutions. Corporate lobbies and digital directories: Professional signage with multi-channel audio for announcements or ambient soundscapes. Specifications Video Output: HDMI 2.0a up to 4K60p. Decoding: H.265, H.264, MPEG-2, VP9. Audio Output: LPCM or compressed audio, up to 8 channels. Dimensions: 7.8" x 5.2" x 1.5" (197mm x 131mm x 38mm). Weight: 1.6 lbs (0.73 kg). Included with your rental The Brightsign XT1144 media player. Standard power supply and necessary cabling, including an HDMI cable. Basic setup documentation to assist on-site connection and initial playback testing. For rental deployments, the XT1144 is intended to provide dependable playback with minimal onsite configuration. If you require extended connectivity, mounting accessories, or content management services, request those options when booking to ensure a complete solution for your event or installation.

The CC-110-X4 is a premium lightweight, single-ear intercom headset terminated with a 4-pin female XLR connector that interfaces with ClearCom Encore and Freespeak beltpacks. The CC-100 features high performance headphones and a cardioid dynamic microphone that provide high quality audio. The CC-110 headset can be easily adjusted to accommodate the preference of any user. The microphone boom has a 300° rotation to allow the microphone to be worn on the left or right side of the head. You can make the headset larger or smaller by using the slide adjusts on either side of the headband. Cushioned with super-soft leatherette with foam padding, the headphones sit on the ear to provide a comfortable fit, a rotating, flexible gooseneck is included for optimal positioning. The CC-110 headset microphone can be turned on and off by simply moving the microphone boom! To turn ON the microphone, pull the boom gently downwards, past the10 o'clock/2 o'clock position. To turn the microphone OFF, push the boom gently upwards, above the 10 o'clock/2 o'clock position. The CC-110 has also been designed so that the cabling and connector type can be adapted quickly on site. To change the connector cable in the field, simply disconnect the cable from the headset and exchange the cable with a standard Phillips screwdriver. The same process can be used to repair and replace a damaged cable on the fly. Features: Single-ear premium light-weight headset High quality dynamic cardioid microphone 20Hz -20KHz frequency response Choice of earpads: leatherette or foam Flexible gooseneck microphone positioning Boom rotation ON/OFF switch for quick microphone muting Interchangable cabling for easy connector change and repair Fully serviceable headset Rugged design Specifications: Headphone Type: Closed-back Driver: 36mm diameter, neodymium magnet, copper-clad aluminum wire voice coil Frequency Response: 20Hz v- 20kHz Microphone Element: Dynamic Driver: 15mm, neodymium magnet Polar Pattern: Cardioid Frequency Response: 250Hz - 20kHz Sensitivity Open Circuit Sensitivity: -64 dB ±3.5 dB; at 1kHz, typical 99 dB ±3 dB (SPL); at 1kHz typical Power Maximum: 500mW Impedance 400 ohms ±30%; at 1kHz typical Connector Cable: 5ft (1.55m) long with 8-pin connector at headset end; 4-pin Female XLR

These wireless pin-spots are perfect for illuminating objects near and far thanks to the zoom function enabling them to adjust from a tight 5 degree beam angle up to a 25 degree beam angle with a simple twist of the lens. Dial in the perfect amount of light for floral displays, cakes and any object you’d like to pin-spot without any extraneous lights. Lights feature 4 levels of dimming so you can balance lighting throughout the space perfectly. The battery pack allows for up to 11 hours of battery life, perfect for just about any event. The remote control makes it easy to turn them on and off right when you need them. The 4000k color temperature is the perfect mix for balancing out brightness with aesthetically pleasing white tones that play well with all white color temperatures. The strong magnetic base, rectangular housing, and M10 mounting hole enables you to place them where you need them including: Door frames Window ledges Chandeliers Air walls Metal banisters Metal light fixtures Air return vents These lights are perfect for illuminating: Centerpieces Floral displays Silent auction items Cakes Food tables Place card tables Sculptures Memory tables Dessert displays Bar items Speakers Pin-spots are charged up and tested to make sure they are fully functional prior to shipping out. Rent the exact quantity you need for your event. Includes: Wireless battery powered pin-spot Zoomable lens from 5 degrees to 25 degrees 4 levels of dimming and blackout Remote control 4000k color temperature Lightweight 1.6lbs Optional: Super clamps, stands, ceiling clamps

Hire the Bose S1 Pro - Portable PA system - mains/rechargeable as an add on to your existing system or as part one of our complete tour guide system perfect for tours, conferences, live events, and group activities. Supplied in a secure SKB protective case, fully tested, charged, and ready to use. We provide courier delivery and collection with pre-paid return labels, making the hire process simple and stress-free. Each system is customised to your event, including group size, environment, and special requirements such as hearing aid loops, two-way audio, or protective headsets. Ideal for clear tour group communication, conference audio solutions, and event audio system rental, with expert UK support available from setup to return. Product Description Hire this BOSE self-powered speaker for pop-up events where you need high quality speech, music playback or live performance amplification. Let them hear you at your best with the Bose S1 Pro Multi-Position PA System - originally designed for musicians, DJs and general PA use, the S1 Pro is the ultimate all-in-one PA, floor monitor and practice amplifier that's ready to be your go-anywhere, Bluetooth music system for nearly any occasion. Use a pair for stereo sound from your Bluetooth device. APPLICATIONS Houses of worship Schools and universities - training & lectures Resorts, visitor attractions and hospitality venues - speeches, presentation events, marquees Business presentations, exhibition stands, background music At 7.1 kg (15.7 lbs), it's lightweight and the rugged enclosure has a built-in handle, so it's easy to carry and transport just about anywhere. FEATURES High-output sound from a small, convenient system that is ready to perform whenever and wherever you are. Lightweight, ultra-portable enclosure is designed to transport effortlessly using the convenient carry-handle. Rechargeable lithium-ion battery allows you to perform anywhere for hours. Onboard 3-channel mixer offers independent ToneMatch®, reverb, and EQ controls on two channels, with a dedicated channel for either wired (3.5 mm) or wireless music sources. Wireless Bluetooth® streaming from your mobile device, with one-touch pairing. Multiple positions with Auto EQ ensure that you always sound your best, regardless of placement orientation. Speaker stand compatible with standard 35 mm pole mounts - tripods available to hire separately.

Clear-Com CC-300-X4 - Single-Ear Headset with 4-Pin XLR-F Connector Clear-Com's CC-300 single-ear headset features high ambient-noise attenuation headphones and a hypercardioid dynamic microphone that provides high quality audio. The headset has a flexible design and a soft-ear pad to offer superior comfort. Able to rotate 300 degrees, the microphone boom acts as an On/Off switch for quick microphone muting. Fully Adjustable The CC-300 headset can easily be adjusted to accommodate the preference of any user. The microphone boom has a 300° rotation to allow the microphone to be worn on the left or right side of the head. Users can make the headset larger or smaller by using the slide adjusts on either side of the headband. Cushioned with super-soft padding, the around-the-ear headphones are able to adjust to provide a better fit for users. A flexible, pivotable gooseneck is included for optimal positioning. Integrated Mute Switch Operation Unlike other Clear-Com headsets, the CC-300 headset microphone can be turned on and off by moving the microphone boom. To turn ON the microphone, pull the boom gently downwards (past the 10 o'clock/2 o'clock position). To turn the microphone OFF, push the boom gently upwards (above the 10 o'clock/ 2 o'clock position). Interchangeable Cabling The CC-300 headset has been designed so that the cabling and connector type can be adapted quickly to the application. Users can order cables with different XLR connector choices and appropriate pin-outs. To change the connector cable in the field, simply disconnect the cable from the headset and exchange the cable with a standard Phillips screwdriver. The same process can be used to repair and replace a damaged cable on the fly

The CC-95 is a single-ear enclosed headset that offers the same full range audio response, acoustic isolation, comfort and durability as the CC-260. The 270 degrees boom rotation offers the user the option of left or right ear operation.

Designed with today’s large-scale productions in mind, the FreeSpeak Edge Wireless Beltpack offers exceptional audio quality, intuitive controls, and wide flexibility. This beltpack works in the 5GHz frequency range and features audio-over-IP built into its architecture given AES67 connections involving transceivers and the host intercom. A staggering 12kHz audio quality ensures top-quality communication with ultra-low latency between 100 beltpacks and 64 transceivers. Also, with FreeSpeak Edge technology, it can integrate with FreeSpeak II 1.9GHz and 2.4GHz systems for the widest bandwidth possible. Navigating controls is easy with concave/convex programmable buttons, rotary controls, and even a flashlight. At Sweetwater, the built-in mic and speaker that preclude the need for a headset are features we love. Reduced interference and robust housing This system features Clear-Com’s originally designed RF technology that employs OFDM to weave a transport layer resistant to most types of interference. Not to mention, the FreeSpeak Edge Beltpack is guaranteed to deliver nearly a full day's worth of unwavering performance on a single charge, with a 12-hour-plus battery life as well as an optional USB-C port powering for continuous use. Top it off with an IP54 rating ensuring the enclosure is tight against dust and splashed water, and you have a top-of-the-line beltpack ready to go the distance. From the biggest stadiums and theme parks to small theaters and houses of worship, the FreeSpeak Edge beltpack provides you with top-quality audio for excellent communication. Clear-Com Freespeak Edge 5GHz Wireless Beltpack Features: Wireless beltpack with 5GHz frequency range Up to 100 beltpacks operational over a single system Curved design fits body 9 assignable keys 4-pin XLR-male headset connector 12-hour battery life on a single charge with drop-in and USB-C charging IP54 rating for wet and dusty conditions 20–27 radio channels (region specific) Ultra-low latency and reduced interference Wide range of RF channels avaliable Each transceiver supports 10 beltpacks Built-in flashlight 250-foot indoor range and 750-foot outdoor range

The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible!

The FreeSpeak II-Base-II-5 is a standalone wireless system that can connect up to 5 full-duplex beltpacks. Up to 10 active transceiver antennas can enable beltpack-to-base staion distance range up to 3,200ft (1,000m). The system has 4-wire and partyline intercom connectivity, program feed input, stage announce, IFB, up to 5 wireless partyline groups and partyline call alert functionality. The base station can intelligently mix 1.9GHz and 2.4GHz system components, such as wireless beltpacks and transceiver antennas on the same system............. Key Features Routing and configuration of up to 5 FSII beltpacks Browser-based configuration tool Multi-mode user interface with monitoring, setup and main station modes with assignable soft keys Supports both 1.9GHz and 2.4GHz FSII beltpacks on a single base station NOTE: If you need to support a total of 25 beltpacks and 10 active transceiver antennas, please view the FreeSpeakII-Base-II

The Blackmagic Design ATEM 2 M/E Production Studio 4K is a professional-grade live production switcher designed to handle the most demanding broadcast, streaming, and event workflows. With support for Ultra HD 4K video, this switcher offers crystal-clear image quality, versatile connectivity, and advanced real-time effects. Featuring 20 inputs, dual multi-view outputs, built-in keyers, and support for both SDI and HDMI, it empowers creators to deliver high-quality productions with ease. Ideal for studios, live events, sports, and corporate environments, the ATEM 2 M/E Production Studio 4K combines power, flexibility, and reliability in a robust 2RU rack-mountable design.

The Chauvet Professional Well Fit is first of all a discrete, battery powered LED uplighter. However, as well as its bright quad colour RGBA LED’s. The small wash lights housing, finished in reflective chrome will blend into any décor. With a simple, easy to understand interface the fixture when used in stand alone mode is controlled with just a few clicks. But if you want more choice there is, in addition to this set and forget mode, wireless control by either W-DMX or an included IR remote. All of the above features combined make this uplighter a perfect solution for quick set-up and distinguished accent lighting.

Adding the Clear-Com FSII-SPL FreeSpeak II Transceiver Splitter to your setup is the best way to get the most out of Eclipse HX Matrix or FreeSpeak II Base Station systems. This antenna splitter box boasts five antenna CAT5 feeds usable from a single port, and it's capable of cable runs of over 65,000 feet when paired with a second splitter. An onboard SFP fiber slot makes it a breeze to fiber link the FSII-SPL to an FSIIBASE-II or connect to the FSII-BASE-II. Support for both multi-mode and single-mode fiber means easy integration into rigs of all kinds, with handy dip switches to tweak settings. When impeccable and reliable performance are critical, purchase the Clear-Com FSII-SPL FreeSpeak II Transceiver Splitter from Sweetwater for optimum results. Clear-Com FSII-SPL FreeSpeak II Transceiver Splitter Features: Splitter with 5 FSII transceiver antenna feeds for use with Eclipse HX Matrix or FreeSpeak II Base Station systems Onboard SFP fiber slot to link to FSIIBASE-II or connect to FSII-BASE-II Multi-mode and single-mode fiber support Dip switches for configuring settings Capable of cable runs over 65,000 feet when paired with a second splitter LED indicators; mic stand/wall mount orientation options

The Clear-Com CC-28-X4 is an Over the Head, Single Ear, Closed Back, Lightweight, Flexible Intercom Headset with a 5-foot cable terminated with a Neutrik 4 Pin Female XLR Connector. The CC-28-X4 replaces and upgrades the CC-26-X4 and features excellent audio quality with a wide frequency response of 100hz to 14Khz. Light on the head it's designed to be worn comfortably for longer periods of time with a soft Leatherette Ear Pad, and adjustable boom. Easy to use the CC-28-X4 is ready for hours of action! The CC-28-X4 premium lightweight headset features a high performance cardioid dynamic microphone with a great Integrated Mute Switch in the flexible gooseneck boom. That means the CC-28 headset microphone can be turned on and off by moving the microphone boom up and down! To turn ON the microphone, pull the boom gently downwards (past the 10 o'clock/2 o'clock position). To quickly mute and turn the microphone OFF you simply push the boom gently upwards (above the 10 o'clock/2 o'clock position). The dynamic mic features a cardioid polar pattern to limit noise from behind the user, and the CC-28 has been upgraded to include a larger earcup that provides more ear coverage than the CC-26K-X4 it replaces. Ideally, the CC-28 suits environments where audio quality and comfort for long wear time are paramount, such as broadcast, theatre, and film/tv studio applications and where full noise cancellation and covered ear cuffs are not required. Features: Single closed back, lightweight headset Over-the-head design Flexible gooseneck microphone positioning Leatherette earpad Dynamic microphone 100Hz to 14kHz earphone frequency response Boom Rotation ON/OFF switch for quick microphone muting Fully serviceable Specifications: Headphone Type: Closed-back Driver: 27mm diameter Frequency response: 100Hz- 14kHz Sensitivity: 114dB ±3dB SPL@ 1kHz Impedance: 320 Ω ±20%; at 1kHz typical Input Power: 100mW Microphone Element: Dynamic Polar Pattern: Cardioid Frequency Response: 200Hz-10kHz Sensitivity: -61±3dB at 0dB =1V/1Pa, at 1kHz Impedance: 200Ω ±20%; at 1kHz typical Connector XLR 4-pin female (Neutrik) Clear-Com wiring Cabling: Screened and separately shielded microphone wires, cable not coiled Cable length: 5ft (1.5m) Environmental Temperature: -10 ±3°C (14° to 37°F) to 55 ±5°C (131° to 41°F) for 48 hours Humidity: 40 ±5°C (104° to 41°F) to 90-95°C (194° to 203°F) relative humidity for 48 hours Dimensions Dimensions Packaging: 6.3 x 8 x 2.4in (WxHxD) (160 x 205 x 60mm) Weight 3.1oz (88g) without connector 3.5oz (99.2g) Item Includes: CC-28-X4 Headset terminated with XLR 4 Pin Female Connector

Key Features: Up to five communication routes per beltpack, each with a 5 or 10 character label Four programmable pushbuttons, two rotary encoders and a reply button Menu driven display, which can be partially or completely restricted Secure system beltpacks are registered to a particular base station or Matrix Internal antenna no antenna breakage or damage Long battery usage typically 18 hours of continuous talk time Two battery options rechargeable Li-Ion cells or disposable Alkaline AA Batteries Drop-in charging port with built-in USB battery and beltpack charging capability Strong metallic beltclip and shoulder strap points Over-the-air beltpack easy registration and regionalization Real-time monitoring of battery per beltpack Listen Again audio memory to replay last 15 seconds of audio Technicians flash light on bottom

Clear-Com FSII-TCVR-19-US FreeSpeak II 1.9GHz The Band Active Transceiver Antenna allows users to freely roam around a facility while staying connected to the base station. Each Active Antenna can create a coverage zone of up to 1,475 feet. One Active Antenna supports up to 5 beltpacks with the ability of adding more if roaming or more beltpack support is required. Up to 10 remote Active Antennas can be strategically placed to cover a wide area. Each active transceiver antenna is IP65 rated for water and dust resistance and has a mount for microphone stands, allowing use and placement in virtually any environment. Unique to the FreeSpeak II system, both 1.9GHz and 2.4GHz beltpacks and active transceiver antennas can co-operate on the same system, increasing both the quantity of users as well as the cell roaming area.

ANTENNA FEATURES: Up to 10 Active Antennas can be connected to one system Up to 1,475 ft of coverage area per antenna 1.9GHz and 2.4GHz antennas can co-operate on the same system IP65 rated for water and dust resistance Microphone stand mounting

The FreeSpeak II-Base-II-5 is a standalone wireless system that can connect up to 5 full-duplex beltpacks. Up to 10 active transceiver antennas can enable beltpack-to-base staion distance range up to 3,200ft (1,000m). The system has 4-wire and partyline intercom connectivity, program feed input, stage announce, IFB, up to 5 wireless partyline groups and partyline call alert functionality. The base station can intelligently mix 1.9GHz and 2.4GHz system components, such as wireless beltpacks and transceiver antennas on the same system............. Key Features Routing and configuration of up to 5 FSII beltpacks Browser-based configuration tool Multi-mode user interface with monitoring, setup and main station modes with assignable soft keys Supports both 1.9GHz and 2.4GHz FSII beltpacks on a single base station NOTE: If you need to support a total of 25 beltpacks and 10 active transceiver antennas, please view the FreeSpeakII-Base-II

The Clear-Com HRM-4X is a vital part of a top-quality networked intercom system. This digital remote station includes four easy-to-use OLED screens for stress-free 4-channel operation. The HRM-4X supports both headset and hands-free operation with a speaker and a mic, and its four keysets are freely assignable to system channels. This unit sports all talk, stage announce, RMK, and program audio level controls. At Sweetwater, we appreciate the HRM-4X's easy-to-use browser configuration, fast front-panel control and configuration, and plug-and-go design with auto discovery. Clear-Com HelixNet HRM-4X Remote Station Features: Includes 4 easy-to-use OLED screens for stress-free 4-channel operation Supports both headset and hands-free operation with a speaker and mic 4 keysets are freely assignable to system channels Features all talk, stage announce, RMK, and program audio level controls Easy-to-use browser configuration, fast front-panel control and configuration, and plug-and-go design with auto discovery

LQ IP interfaces enable connection of 2-wire partyline, 4-wire or 4-wire with GPIO audio over LAN, WAN or Internet IP infrastructures. The LQ Series consists of compact LQ boxes and rack-mounted LQ-R panels, available in 2-, 4- or 8-port versions. The partyline ports are Clear-Com and RTS compatible. Two standalone partyline intercom circuits can easily be constructed by connecting two partyline ports. The 4-wire ports can interconnect with devices, such as analog ports of any matrix intercom system, analog telephone circuits, two-way radio gateways and audio consoles. A maximum of six LQ Series IP devices can be linked together in any 2-, 4-wire or 4-wire with GPIO combination.

Encore four-channel headset/speaker main station. Built-in 1-amp (2-amp peak) power supply, 2RU rack mount. Four pairs of XLR-3 Male connectors for partylines A-D, one XLR-3 female for Program Audio in and one XLR-3 Male for Stage Announce out on the rear panel. Jack for hot mic out

Clear-Com SB-440 4 Channel Switchboard The 440 series is Clear-Com’s most advanced party-line intercom system. Each station is a four-channel intercom with superior audio and versatile channel access to provide unmatched communication flexibility. All front-panel controls are intuitive and easy to operate. The station’s front-panel buttons are programmable and can be customized for a wide variety of applications that will meet the demands of any stage, studio, or field producer. Separate volume controls for every channel ensure the perfect audio mix in the headset or on the integral speaker. The SB-440 includes a versatile switching matrix which allows up to ten different groups of stations to be assigned to any one of the four channels. A convenient “link” feature ties all four channels into one giant party line for rehearsal or staff check. The stations have adjustable mounting ears that can be removed for desktop operation. The regulated power supply in the MS-440 and SB-440 provides power for the entire intercom system. These stations have front-panel short-circuit indicators to show if a short has occured on any of the four intercom lines. Other features include separate audio sources for all intercom channels and three built-in IFB program interrupts for talent cuing. Features Four Independent Intercom Channels- for ultimate flexibility Microprocessor-Controlled Logic- assures maximum communications power Universal Voltage Power Supply- for 90 - 240 VAC operation, with short-circuit protection on each channel Linking Control- instantly links channels together in “super party line” Separate Talk and Listen Buttons- for each channel Individual Listen Volume Controls- for each channel “All-Talk” Function- permits instant communications to all four channels Four Separate Program Inputs- are electronically balanced Three Interruptible IFB Channels- make talent cueing easy “Announce” Button with Relay- for external paging Visual “Call Signaling”- alerts users when others want to speak to them Wide-Range High-Output Speaker- for optimum clarity in all acoustic environments “Hot-Mic” Output- allows easy connection to external IFBs Adjustable Mic Proximity Compensation- reduces acoustic feedback Superior “Contoured” Audio- insures excellent voice intelligibility under all noise conditions, including high-noise environments Specifications CONTROL SYSTEM: CMOS Digital logic and signal switching OVERALL STATION AUDIO: Bandwidth: 150 Hz -15 kHz Signal to Noise: >75 dB Channel Separation: > 50 dB Line Impedance: Terminating (200 Ω) MIC PREAMP: Input Level: -55 dBv nominal, -10 dBv max (0 dBv is referenced to 0.775 volts rms) Impedance: 200 Ω nominal Frequency Response: 150 Hz -15 kHz (contoured for max. intelligibility) Limiter Range: 25 dB Gain Adjust: 5 dB HEADPHONE AMPLIFIER: Load Impedance: 50 - 2,000 Ω Output Level: > +20 dBv across 600 Ω Distortion: <0.2% THD at 1 kHz Frequency Response: 150 Hz - 18 kHz ±2 dB SPEAKER AMPLIFIER (SB-440): Load Impedance: 8-50 Ω Output Level: 4 watts into 8 Ω Distortion: <0.5% THD at 1 kHz PROGRAM INPUTS: Type: Line level electronically balanced Nominal Imput Level: -10 dBv STUDIO ANNOUNCE: Type: Transformer balanced output Level: 0 dB Relay: SPDT Contact Rating: 24 Volts DC @ 1 amp ELECTRET MICROPHONE (Optional): Connection: Proprietary plug-in locking connector Pattern: Cardioid Length: 9" or 18" gooseneck Frequency Response: 100 Hz - 20 kHz TALK REMOTE CONTROL: Two logic inputs POWER SUPPLY Type: Switching, with reset circuitry for each channel Output Voltage: 30 VDC regulated Output Current: 2.0 A max.; 1.75 A max. on any channel; with electronic current limiter, circuit breaker protected Hum and Noise: <-80 dBv SYSTEM CAPACITY 60 beltpacks or 20 speaker stations AC POWER REQUIREMENTS 90 - 240 VAC, 50 - 60 Hz DIMENSIONS: 3.5" H x 17" W x 6.75" D (89 x 432 x 171 mm) (19" W with included rack ears) Depth does not include rear panel connectors. WEIGHT: 9.7 lbs. (4.4kg) CONNECTORS Headset: 4-pin male XLR Intercom Lines: Fourteen 3-pin male XLR Program Input: 3-pin female XLR Announce Output: 3-pin male XLR External IFB: 1/4" phono jack Aux: 15-pin DB connector External Speaker: 1/4" phono jack

The MS-440 Intercom station is a 4-channel microprocessor controlled station intended to work with other Clear-Com Party-Line products. This station has a speaker, provisions for installing a panel microphone, and a headset connector. The MS-440 is a 4 channel Main station that contains a 2 amp. no fail system power supply. Features: MICROPROCESSOR CONTROL: Most aspects of station operation are under microprocessor control. REMOVABLE ACCESS PANEL: A removable access panel allows access to most controls and option dip switches. REMOVABLE RACK MOUNTING BRACKETS: Removable rack mounting brackets allows the units to be rack mounted or used 'stand-alone' as a table top unit. INDIVIDUAL CHANNEL CONTROLS: Each channel has individual Talk, Listen, and Call push-buttons for each channel. MOMENTARY/LATCHING TALK BUTTONS: The TALK buttons have a momentary and latching action depending on how the button is used. The latching function can be defeated with dip switches. INDIVIDUAL CHANNEL ADJUSTMENTS: Each channel has individual listen level controls, channel null adjustments, and program feed level controls. MULTIPLE PROGRAM INPUTS: Multiple program inputs are provided for local station monitoring and program feed to intercom lines for local talent cueing (IFB). INTERNAL IFB (IFB - Interrupt Foldback of program feeds): Program can be fed to each channel and interrupted (IFB) when a Talk function is active or when a Call signal is received on that channel. An internal jumper determines whether the IFB function is Talk or Call signal activated. LINK FUNCTION (MS-440): The MS-440 has a LINK function that places all channels into a common party-line at the single push of a button. ALL-TALK: An ALL-TALK button allows instant access to all channels. ANNOUNCE FUNCTION: An ANNOUNCE button allows external paging. A set of relay contacts is provided to control an external system. PROGRAM FEED OVER STAGE ANNOUNCE: An internal jumper allows the main program feed to be fed to the Stage Announce output. The program is automatically interrupted when the ANNOUNCE button is pressed. MIC ON/OFF SWITCH: A separate MIC ON/OFF push-button allows turning the microphone off without upsetting the setting of TALK switches. EXTERNAL MIC ON/OFF INPUT: An external logic input allows the MIC ON/OFF function to be switched remotely. EXTERNAL IFB and HOT MIC OUTPUT: A rear panel jack provides direct connection to Clear-Com's external IFB system such that the station's microphone can be used in the external IFB system. A buffered unswitched output of the selected microphone is also available. SPEAKER ON/OFF SWITCH: The speaker may be turned on and off with a front panel switch. SPEAKER MUTING: Whenever a TALK is active the Speaker output is muted approximately 6 dB to prevent feedback. PANEL MIC GAIN: The preamplifier for the Panel microphone has a gain trim adjustment to allow field trimming. Adjustment of the panel microphone gain also varies the frequency response of the preamplifier to compensate for feedback when the microphone is used up close. 2 AMP. POWER SUPPLY WITH SHORT CIRCUIT PROTECTION: The SB-440 features redundant powering to remote stations by providing separate short circuit protected power sources to each of the four intercom lines. A short on one intercom line will not bring the whole system down. Short circuit indicators are provided on the front panel for each channel. Specifications: CONTROL SYSTEM: Microprocessor controlled logic and CMOS electronic switches. HEADSET MICROPHONE PRE-AMP: Dynamic Headset Input Impedance: - 200 Ohms Input Level: - 55 dBv* nominal Frequency Response: 150 Hz to 15 KHz, contoured for intelligibility. Gain from Headset to Intercom Line: +41 dB PANEL MICROPHONE PRE-AMP: Input Level: 45 dBv* nominal Frequency Response: 150 Hz to 15 KHz, contoured for intelligibility. Gain from Panel Mic to Intercom Line: +31 dB (adjustable) SPEAKER AMPLIFIER: Load Impedance: 8 - 50 Ohms Output Level: 4 watts into 8 Ohms Distortion: <0.5% THD at 1 KHz Frequency Response: 200-15KHz + /-2dB HEADPHONE AMPLIFIER: Load Impedance: 50 - 2000 Ohms Output Level: at least +20 dBv* across 600 Ohms Distortion: <0.2% THD at 1 KHz Frequency Response: 150-18KHz +/-2dB Gain from Intercom Line: +37 dB PROGRAM INPUT: Input Level Ref.: 0 dBv* Input Impedance: >10 KOhms Frequency Response: 150 Hz to 15 KHz INTERCOM LINE DRIVE/RECEIVE CIRCUITS: Impedance, Bridging: >10 KOhms Level, Line (200 ohm load): -14 dBv* (nominal) +5dBv (max before clip) Sidetone Null Capability: >25 dB (200Hz - 10 KHz) Crosstalk, Station Induced Ch. to Ch.: >60 dB Noise, S/N Ratio in Listen Channels: >60 dB LINE LEVEL OUTPUTS: SA (Announce) Type: Balanced Impedance: 600 ohms Level: 0 dBv IFB/Hot Mic: Type: Unbalanced Impedance: 600 Ohms Level: 0 dBv STANDARD CLEAR-COM SYSTEM SPECIFICATIONS: Usable Line Quality: > 100 Stations Total Line Length on One Channel: > 5000 feet CONNECTORS: Intercom: (MS-440): 8 XLR-3M Intercom: (RM-440): 4 XLR-3M and 4 XLR-3F Announce Output: XLR-3M Program Input (Main): XLR-3F Accessory: DB-15F Auxiliary Program Inputs (4) Foot Switch Logic Input Line Level Output (Sig n al being sent to speaker amp.) Announce Relay Output IFB/HotMic: 1/4inch Phone Jack POWER REQUIREMENTS and OUTPUT: MS-440 Source: AC Power Line Voltage: 90 - 240 V AC 50-60 Hz Power In: 80 VA Max. 30 VDC Intercom Power Out: 2.0 Amp Continuous short circuit protected, 1 3/4 Amp. each channel RM-440 Source: Intercom Line Voltage: 20 - 30 VDC Current: 90 mA idle, 150 mA average PHYSICAL SPECIFICATIONS: Dimensions: 19"W x 3.5"H x 10.S"D (483mm x 88mm x 267mm) Weight (MS-440): 7.4 lbs. (3.4 Kg) Weight (RM-440): 5.9 lbs. (2.7 Kg) Operating Temperature Range: 32-122° F (0-50° C)

The Clear-Com HelixNet HMS-4X combines system master and intercom user station functionality, along with XLR Powerline connections to user stations. This digital main station hosts up to three HLI interface modules for external connectivity, including Ethernet and fiber. As a main station, the HMS-4X offers easy-to-use browser-based configuration, fast front-panel control and configuration, and plug-and-go with auto discovery. As a user station, the HMS-4X features headset or hands-free support with a speaker and a mic; plus, its four keysets are freely assignable to system channels, and you get convenient All Talk, Stage Announce, RMK, and Program Audio level controls. Beyond that, here at Sweetwater, we appreciate the HelixNet HMS-4X's generous connectivity and integration options. Clear-Com HelixNet HMS-4X Digital Main Station Features: Combines system master and intercom user station functionality Hosts up to 3 HLI interface modules for external connectivity Offers browser-based configuration, front-panel control and configuration, and auto discovery Supports both headset and hands-free operation with a speaker and a mic 4 keysets are freely assignable to system channels Convenient All Talk, Stage Announce, RMK, and Program Audio level controls Generous connectivity and integration options

Single-channel. Includes volume control, mic on/off button, call signal button and indicator, sidetone adjust, 4-pin headset connector, 3-pin intercom and loop-through connectors. A 4-pin headset connector accommodates dynamic microphone. Features: Exceptionally lightweight and compact Virtually indestructible, powder-coated, aircraft-grade aluminum and HDS composite material construction Remote Mic Kill function One or two-channel operation on one or two mic cables Monaural and binaural headset models Programmable, digitally controlled switching functions Visual “call” signaling with high-intensity LED indicators Non-metallic belt clip with included mounting adapter Loop-through connectors Specifications: GENERAL Amplifier Design: I.C. amplifiers including solid-state digital switching and signaling circuits. Current-limited and short-circuit protected Signal to Noise: >75 dB Bridging Impedance: > 15k ½ Line Level: -14 dB, +5 dB max. Sidetone Adjust: >35 dB EMI and RFI rejection: >60 dB MICROPHONE PREAMP Headset Mic Impedance: 200 ½ Gain, mic to line: switchable 35 dB, 41 dB Limiter Range: 26 dB Frequency Response: 200 Hz - l2 kHz, contoured for maximum intelligibility. HEADPHONE AMPLIFIER Load Impedance: 50 - 2,000 ½ Output Level: +20 dBv before clipping (drives standard Clear-Com headsets to more than 110 dB SPL) Distortion: <0.1% THD @ 1 kHz Gain, line to output: +35 dB Frequency Response: 100 Hz - 18 kHz, ±2dB CONNECTORS Intercom Line: (2) 3-pin XLR–M–F Headset: 4-pin XLR–M POWER REQUIREMENT 25mA quiescent 35mA average talk 50mA with signaling DC Voltage Range: 12-32 volts ENVIRONMENTAL Operating Temp. Range: 0°- 70°C (32° - 158°F) Humidity: 0 - 90% relative humidity DIMENSIONS 3.25"H x 3.8"W x 1.5"D (91 x 96.9 x 37.5 mm) WEIGHT 8oz. (0.22kg)

Brand Clear-Com Color Black Number of Channels 2 About this item Selectable one- or two-channel communication Individual listen volume controls Momentary/latching talk buttons Individual call buttons Visual call signaling

The 440 series is Clear-Com’s most advanced party-line intercom system. Each station is a four-channel intercom with superior audio and versatile channel access to provide unmatched communication flexibility. All front-panel controls are intuitive and easy to operate. The station’s front-panel buttons are programmable and can be customized for a wide variety of applications that will meet the demands of any stage, studio, or field producer. Separate volume controls for every channel ensure the perfect audio mix in the headset or on the integral speaker. The SB-440 includes a versatile switching matrix which allows up to ten different groups of stations to be assigned to any one of the four channels. A convenient “link” feature ties all four channels into one giant party line for rehearsal or staff check. The stations have adjustable mounting ears that can be removed for desktop operation. The regulated power supply in the MS-440 and SB-440 provides power for the entire intercom system. These stations have front-panel short-circuit indicators to show if a short has occured on any of the four intercom lines. Other features include separate audio sources for all intercom channels and three built-in IFB program interrupts for talent cuing. RM-440 REMOTE STATION When purchased in the RM-440 remote configuration, this station is powered directly from the intercom line and requires no external AC power, allowing it to be placed anywhere regardless of available electrical mains. The RM-440 has all of the same functions as the MS-440, except that it has no power supply, circuit breaker, or linking function.

The Clear-Com RS-703 2-channel standard beltpack gives you all the reliability and crystal-clear audio quality you need for effective partyline communication in theaters, schools, local broadcast stations, churches, or any other small- to mid-size venues. The RS-703 gives you 130dB of dynamic range, enabling intelligible voice communication at almost any volume level. On top of that, an intuitive plug-and-play design reduces setup time, ensuring you can get to work quickly. The Clear-Com RS-703 2-channel standard beltpack delivers state-of-the-art performance and exceptional audio clarity for partyline communication. At Sweetwater, we’ve built countless live rigs over the past three decades. Give us a call; we’re happy to help! Related Videos: RS-703 2-channel Analog Intercom Beltpack Clear-Com RS-703 2-channel Standard Beltpack Features: Mic preamps with a 130dB dynamic range enables intelligible voice communication Intuitive plug-and-play design lets you get to work quickly Shaped frequency contour (Clear-Com Sound) delivers crystal-clear audio DIP switch settings add enhanced functionality Talk and call buttons are guarded against accidental operation Highly durable and reliable design is ideal for harsh, repetitive daily use

LQ Series 8 Port, 4-Wire, Intercom IP Interface. LQ IP interfaces enable connection of 2-wire partyline, 4-wire or 4-wire with GPIO audio over LAN, WAN or Internet IP infrastructures. The LQ Series consists of compact LQ boxes and rack-mounted LQ-R panels, available in 2-, 4- or 8-port versions. The partyline ports are Clear-Com and RTS compatible. Two standalone partyline intercom circuits can easily be constructed by connecting two partyline ports. The 4-wire ports can interconnect with devices, such as analog ports of any matrix intercom system, analog telephone circuits, two-way radio gateways and audio consoles. A maximum of six LQ Series IP devices can be linked together in any 2-, 4-wire or 4-wire with GPIO combination. LQ Series devices can link with HelixNet main stations using the HLI-ET2 module over LAN and WAN IP networks. This allows the main station to use the LQ ports as extra audio input and output to the HelixNet system. Linking to an LQ device also allows HelixNet users add Agent-IC clients and SIP or VoIP telephony connections to the HelixNet channels.

The MS-232 is a one-rack-space, two-channel main station with a regulated 2-amp “fail-safe” power supply, individual channel short-circuit protection, and a versatile intercom monitoring system. It supports two intercom channels with up to 60 headset stations or 20 speaker stations. It features Clear-Com’s excellent speech intelligibility in both high- and low-noise environments. Features: Supports up to 60 headset stations or 20 speaker stations on two channels Separate short-circuit protection for each channel Dual-action electronic momentary/ latching “talk” buttons Program feed to both channels, with selectable “Program Interrupt” (IFB) “Call” signal buttons for each channel Global “Remote Mic Kill” Announce output with relay • Microphone limiting Volume controls for each channel Visual and audible “Tone Alert” signaling Channels A & B “Link” switch Built-in speaker Optional gooseneck mic External switchable line termination on each channel Universal voltage power supply for 90-240 VAC operation

Encore four-channel switchboard main station. 5 positions X 10 outputs assignment matrix, no speaker. Built-in 1-amp (2-amp peak) power supply, 2RU rack mount. One XLR-3 Male connectors for each partyline A-D; one XLR-3 Male per Partyline output 1-10; one XLR-3 female for Program Audio in and one XLR-3 Male for Stage Announce out on the rear panel. Jacks for hot mic out and external loudspeaker.

Stunning 5K video + 20 megapixel photos Advanced video stabilization from HyperSmooth 3.0 Waterproof to 33ft + built tough Detachable lens + mod compatibility to customize + get creative 2 screensdazzling front display for selfies, rear touch display for intuitive control TimeWarp 3.0, 8X Slo-Mo + tons of other features to nail any shot Compatible with Quik app Compatible with over 30 mounts + accessories

For filming, you need at least 12k-15k lumen projector to get decent footage from the camera. Epsons have all the colors at full brightness thanks to 3LCD. Their brighter black level does not satisfy some screening needs but is perfect for filming and live production. Higher brightness models have a drastically higher dollar-per-lumen cost. The best bet for quality and budget production. For even higher brightness, we can help to double stack them. 4K Upscale allows showing native 4K content or upscaling on the fly your HD content. Multiple units are calibrated and selected on top of the manufacturer specs to work in multi projector settings. Our crew can help with design and setup if your project is complicated ; ) Optional add-ons Short throw lenses with a throw ratio of 0.64:1-0.77:1 and 0.48:1-0.57:1 Truss (bottom and top plate, book corner, different length trusses) From the manufacturer Epson Pro L1505UH 12000 Lumens WUXGA 3LCD laser Projector with Short Throw .5-.8 lens Epson Pro L1505UHNL projector could be good for filming: — The Epson Pro L1505UHNL projector's high brightness of 12000 lumens makes it an excellent choice for filming in large venues or outdoor settings where ambient light might otherwise wash out the image. — With a native resolution of WUXGA (1920 x 1200), the Epson Pro L1505UHNL projector can deliver crisp and detailed images, which is essential for capturing high-quality footage. — The projector's 3LCD technology helps to ensure accurate color reproduction, making it a great option for filmmakers who need to capture color-accurate footage. — Thanks to its interchangeable lens system, the Epson Pro L1505UHNL projector can be customized to fit the specific needs of a filming project, whether you need a short-throw lens for tight spaces or a long-throw lens for larger venues. — The projector also features advanced image processing capabilities, such as frame interpolation and edge blending, which can help to smooth out motion and create seamless images across multiple screens or projectors. — Overall, the Epson Pro L1505UHNL projector is a versatile and powerful tool that can be a great asset to filmmakers looking to capture high-quality footage in a variety of settings.

Color Black Form Factor Over Ear Model Name MS-704 Connectivity Technology Wired

Colorsource lighitng Console CS 20. Has 20 faders Great way to control LED fixtures. Can control many channels and organizes in easy way to handle. Easy to patch.

The Model H8530 is a dual-ear, over-the-head style headset capable of affording comfort and communication clarity over long periods of time. It utilizes the M-2H dynamic noise-cancelling microphone, delivering excellent speech intelligibility. Durable construction and quality components are found throughout the Series 8500 headsets. Accessories such as undercut ear seals and soft foam head pad provide luxurious comfort over long work shifts. Noise-attenuating ear cups deliver clear isolated reception, while effectively protecting the user's hearing. David Clark created the world's first noise attenuating communication headsets, and continue to lead the world in delivering quality communication tools. Features: Crisp, clear communication in demanding environments Provides isolated reception and exceptional speech intelligibility Universal flex boom assembly, 280° rotational, for perfect microphone placement on left or right side Dynamic earphone elements with dual volume controls Adjustable headband spring assembly for custom fit Pivoting stirrup assemblies on both ear cups help ensure a precise fit Undercut, 'Comfort Gel' ear seals cradle the ears to provide superior comfort Soft foam head pad with removeable cotton cloth cover provides exceptional comfort Certified Noise-Reduction Rating of 23dB 5 ft. Straight Cord with loose leads (for your connector selection) M-2H noise-canceling microphone ensures superior transmit clarity Dual Volume Controls Two 60 ohm, 20-20kHz Earphone Elements, wired for separate channels Specifications: Ear Coupling: Around-the-ear (Circumaural) Hardware: Carbon steel, flat black finish Dome Type: Lightweight, ABS Composite Contact Pressure: ~ 1.5 lbs. (6.67 N) Connector Type: No Connector Connection Cable: 5.67' straight cord with 3 twisted pairs shielded, unterminated (prepared leads) Earphone Type: Dynamic, moving coil Earphone Impedance: 60 Ω +/- 10% @ 1kHz Earphone Frequency Response: 20 - 8,000 Hz Earphone Sensitivity: 125 +/-3 dB SPL @ 1kHz - Re: 1mW rms Total Harmonic Distortion (THD): <2% @ 1mW 300 - 3,500Hz Certified NRR (3rd Party): Passive noise attenuation rating of 23 dB Microphone Principle: Dynamic Microphone Impedance: 150Ω nominal Microphone Sensitivity: 1.73mV rms nominal, into 150 Ω load re: 104dB SPL 1/4" @ 1kHz Microphone Frequency Response: 200Hz - 5kHz Item Includes: 1x David Clark H8530 Headset Microphone - 5-foot Straight Cord with Loose Leads

Insta 360 Pro. Runs off of app on tablet or cell phone. Perfect condition and very easy to use, perfect for anyone making a music video, performance video, or diving into the world of experimental vr. Shoots MP4, JPG, RAW 8k post-processing stitching @30fps 3D 6k post-processing stitching @30fps 4k real-time stitching and live-streaming @30fps f/2.4 200 degree fisheye lenses 4 built-in mics Comes with: 1 Rechargeable Lithium Polymer Battery 1USB Type C cable 1 Ethernet Cable 1 Ethernet Network Adapter 1 AC Adapter 1 AC Cable 1 128 GB SDXC UHS-1 Memory Card 1 Shoulder Strap 1 Protective Carrying Case 1 Rubber Lens Protector 1 Lens wipe Super fun camera.

Directional Subwoofer

The Fostex 6301B is a mains powered 10watt RMS. (20watt peak) self powered speaker which finds many applications around the industry through its convenience and all round performance. The case is metal and solid and the sound open and faithful. Front panel volume control. Input via balanced or unbalanced Jack of -10dBm An in-built 10 watt amplifier, perfectly matched to a 10cm full range driver delivers a big sound, full of clarity from this small, versatile monitor. Best used in pairs, they accept any line level input, so they are ideal for use with instruments in project studios, on stage, in remote recording vehicles, video productions & multimedia presentations. Manufactured from cast aluminium, these great little monitors have earned a high reputation among production, broadcast & presentation professionals for being rugged & road worthy. SPEAKER SECTION · Speaker : Full range x1 · Diameter : 100mm · Impedance : 4 ohm · Diaphragm : Cone, repulsion type · Repro. Frequency Response : 80Hz to 13kHz · Sound Pressure Level : 84dBW / 1m AMPLIFIER SECTION · Output : 10W (8 ohm weighted) · Frequency Response : 20Hz to 50kHz (0dB, -3dB) · Total Harmonic Distortion : 0.05% (@ 1kW) · Input · 6301B · Connector : 6mm dia phone jack x1 · Input impedance : More than 20k ohm · Input Sensitivity : -4dBu (0.5Vr.m.s.) · 6301BX · Connector : XLR-3-32 type (Pin 2:HOT) x1 :6mm dia phone jack x1 · Input impedance · (XLR) : More than 10k ohm · (Phone) : More than 20k ohm · Input Sensitivity · (XLR) : +4dBu (1.2Vr.m.s.) · (Phone) : -4dBu (0.5Vr.m.s.) · Residual Noise Level : -70dBV (0.3mV) GENERALS · Dimensions : 120(W) x 188(H) x 118(D)mm · Weight : Approx. 3.0kg · Power Requirement : 120V - 230V · Power Consumption : 30W

1000w, 18", 135dB peak

Model 6301-series have been on the market since 1982 as the standard active monitor speaker in the broadcast and production facilities and now we have re-design the speakers with the latest D-class power amplifier and new driver unit featuring energy saving “auto stand-by” function. -20W D-class power amplifier for higher output level and less power consumption with no heat sink -Dedicated 4-inch full range driver for clear audio reproduction -Flat panel design to avoid inadvertent power-off or level change -Auto Stand-by mode (compliant to ErP directive) for energy saving -Outputs either or both of any two-channel digital signals out of Dante network signals adopting Dante Ultimo chip -Supported sampling frequencies: 44.1/48/88.2/96kHz -Dante Input 1, Input 2 or Input 1+2 (mixed) can be selected by the switch on the rear panel -DMM (Dante Domain Manager) ready -AES67 compatible Included Kit Items 1x Fostex Model 6301DT 1x Power cable

Tripod, fluid head 8.5 kg (18.7 lbs) capacity -Sachter 2 stage CF legs KEY FEATURES Load Capacity 8.8 .19Ibs. Tilt Drag O plus 3 steps Independent Tilt Lock Yes Independent Pan Lock Variable Balance Control Head Bowl Levelling Bubble Yes Adjustable Handles (Supplied) 2 Sliding Quick Release Plate Supplied with 2 .3!8' and 2 .1/4' Camera screws

The MM-10 miniature subwoofer delivers expanded low frequency for applications that require excellent audio quality from a compact system. Designed primarily as a companion to Meyer Sounds MM-4XP miniature loudspeaker, as well as the UP-4XP ultracompact loudspeaker, both with IntelligentDC technology, the MM-10 allows system designers to create full-range systems where space limitations are a concern. The MM-10 features an operating frequency range of 33 Hz to 228 Hz with a conservatively rated maximum peak SPL of 123 dB. The MM-10 bass reflex cabinet houses a single 10-inch driver and a single-channel power amplifier complete with onboard processing, including a crossover, driver protection, and frequency and phase correction. The built- in crossover accepts full-range signals, facilitating basic daisy-chaining for signal distribution, eliminating the need for external crossovers in small setups.

The Manfrotto 546B Pro Video Tripod with Mid-Level Spreader is an aluminum two-stage tripod that combines stability and strength with affordability. Reaching a maximum height of 60.6" (154 cm), the 546B is capable of supporting up to 44 lbs (20 kg). Its spiked feet come with rubber overshoes, allowing setups on both smooth floors and uneven surfaces, while a mid-level telescopic spreader keeps the legs exactly where you need them. The head's patented Bridging Technology allows for a wider top plate and longer sliding plate that add stability and balance to a set of state-of-the-art professional features. With its ability to support up to 16.5 lb, the 504HD can be used with a variety of video and photo cameras. The newly designed counterbalance system includes four presets from 0 to 16.5 lb, enabling proper balance no matter what the camera's size or weight. Included Kit Items 1x Manfrotto 504HD Fluid Video Head 1x Manfrotto 546B Pro Video Tripod with Mid-level Spreader

3600w

Introduction to Meyer Sound MSL-4 The Meyer Sound MSL-4 is a high-performance, full-range loudspeaker designed for professional touring, live sound, and installation applications. It delivers powerful, clear audio across large venues. Learn more about loudspeakers on Wikipedia. This speaker is ideal for concerts, theaters, and houses of worship. Its design ensures uniform coverage and accurate sound reproduction. High Output and Clarity The MSL-4 provides high sound pressure levels with minimal distortion. It features dual 12-inch low-frequency drivers and a high-frequency section with advanced horn loading. Moreover, its phase-coherent design ensures smooth frequency response. This gives audiences consistent, clear sound no matter where they sit. Robust and Reliable Design The loudspeaker uses a rugged enclosure to withstand the demands of touring. Internal bracing reduces unwanted resonance, and quality components ensure long-term performance. Additionally, the MSL-4 includes rigging points for flexible installation. You can deploy it as a flown array or as a standalone loudspeaker. Flexible Deployment Options You can combine multiple MSL-4 units for scalable sound systems. Each cabinet allows precise splay angles for consistent coverage when flown. Furthermore, Meyer Sound provides software tools to assist engineers in planning array configurations for optimal performance.

Coming from a company named Hercules, you’d expect the DG400BB Laptop Stand to be strong. And of course, you’d be right. However, many of us at Sweetwater love Hercules stands not only for their strength, but also for their speed and convenience. This stand easily supports your laptop, thanks largely in part to its extra rear legs, and it can hold up to 22 pounds. It also has multiple angle adjustments and three height options. Its 1-piece design makes it fast and easy to set up and tear down, and its 3-pound weight ensures its easy to transport. For added convenience, the DG400BB also comes with a handy carrying bag! Hercules DG400BB Laptop Stand Features: 1-piece folding design that’s quick, easy, and light (3.08 lbs.) Extra rear legs help support laptops up to 22 lbs. Multiple angle adjustments and 3 height adjustments Includes carrying bag

Dual 12", 1800w

Low-Profile High-Power Stage Monitor

Meyer Sound’s 900-LFC compact low-frequency control element reproduces low frequencies at high continuous output levels with extremely low distortion. The 900-LFC offers the same sonic linearity as Meyer Sound’s 1100-LFC low-frequency control element in a smaller, lighter cabinet, making it ideal for building scalable systems to suit touring applications or fixed installations of any size. Features: Compact cabinet with small footprint and extraordinary power-to-size ratio High peak power output with extremely low distortion Exceptional linearity, transient reproduction, and low-frequency clarity Self-powered for simplified setup and increased reliability Stackable and flyable in regular and cardioid arrays, with tilt and splay options Integral pole-mount receptacle easily pairs the subwoofer with ULTRA Series loudspeakers Specifications: Acoustical: Operating Frequency Range: 31 Hz – 125 Hz Frequency Response: 32 Hz – 115 Hz ±4 dB Phase Response: 40 Hz – 110 Hz ±30° Linear Peak SPL: 133 dB with crest factor >10 dB (M-noise), 133 dB (Pink noise), 134.5 dB (B-noise) Coverage: 360° (single unit); varies with number of units and configurations Transducers: Low Frequency: One 18-inch, dual-coil, long-excursion cone driver; 2Ω nominal impedance Audio Input: Type: Differential, electronically balanced Maximum Common Mode Range: ±15 V DC, clamped to earth for voltage transient protection Connectors: XLR 5-pin female input with male loop output Input Impedance: 10 kΩ differential between pins 2 and 3 Wiring: Pin 1: Chassis/earth through 1 kΩ, 1000 pF, 15 V clamped network to provide virtual ground lift at audio frequenciess Pin 2: Signal + Pin 3: Signal - Pin 4: RMS Pin 5: RMS Case: Earth ground and chassis Nominal Input Sensitivity: 6.0 dBV (2.0 V rms) continuous is typically the onset of limiting for noise and music Input Level: Audio source must be capable of producing +20 dBV (10 V rms) into 600 Ω to produce the maximum peak SPL over the operating bandwidth of the loudspeakerr Amplifier: Type: Two-channel, open-loop, class D Total Output Power: 3100 W peak THD, IM, TIM: < 0.02% Cooling: Convection AC Power: Connectors: powerCON 20 input with loop output Automatic Voltage Selection: 90–265 V AC; 50–60 Hz Safety Rated Voltage Range: 100–240 V AC, 50–60 Hz Turn-on and Turn-off Points: Turn-on: 90 V AC; Turn-off: none; internal fuse protection above 265 V AC Current Draw: Idle : 0.60 A rms (115 V AC), 0.49 A rms (230 V AC), 0.63 A rms (100 V AC) Maximum Long-Term Continuous Current (>10 sec): 4.9 A rms (115 V AC); 2.5 A rms (230 V AC); 5.2 A rms (100 V AC) Burst Current (<1 sec): 8.8 A rms (115 V AC), 4.7 A rms (230 V AC), 11.0 A rms (100 V AC) Maximum Instantaneous Peak Current: 18.2 A peak (115 V AC), 9.2 A peak (230 V AC), 20.6 A peak (100 V AC) Inrush Current: < 20.0 A peak RMS Network(Optional): Equipped with two-conductor twisted-pair network, reporting all operating parameters of amplifiers to system operator’s host computer. Physical: Dimensions without Rigging: W: 27.43 in (697 mm) x H: 24.43 in (621 mm) x D: 24.89 in (632 mm) Weight without Rigging: 136 lb (61.7 kg) Enclosure: Premium multi-ply birch with slightly textured black finish Protective Grille: Powder-coated, hex-stamped steel with acoustical black mesh Rigging: Optional end frames with captive GuideALinks secured with 0.3125 in x 0.63 in quick release pins that allow 0°, 1.25°, 2.5°, 3.75°, or 5° splay angles; detachable side handles. Rigging supports ground-stacked, flown, and cardioid configurations. Pole Mount: U.S. version: 1.5 in (38 mm), E.U. version: 1.375 in (35 mm and M20 thread at the bottom) LEOPARD/900-LFC UW Rain Hood Attachment: The Ultra Weather Protection LEOPARD/900-LFC Rain Hood Kit includes the following parts: LEOPARD/900-LFC Quick Clip Rain Hood with Splash Shield Assembly (PN 45.243.241.01) LEOPARD/900-LFC Rain Hood Baffle (PN 64.243.104.01) 2 pan head Phillips 6-32 x 0.25-inch 316 stainless-steel screws (PN 101.405) The LEOPARD/900-LFC Rain Hood Baffle must be installed first.

Compact Wide Coverage 100x40/350watts

Seeking a full-featured live sound solution in a compact, easy-to-set-up form factor? RCF’s EVOX J11 is an active 3-way PA system that delivers stunning sound performance across nearly the entire frequency spectrum. The EVOX J11 features a dual-channel 3,500-watt Class-D amplifier that powers a single 12-inch RCF precision low-frequency woofer in the lower bass reflex enclosure, plus twelve 3-inch full-range Neo transducers and a 1.75-inch Neo compression driver in the upper tower. This impressive setup is ideal for solo performers, small ensembles, DJs, and more to project a beautifully musical, highly accurate reproduction of their sound to the entire audience at large parties or corporate events — all with a single piece of gear. Add in the high-level DSP section (including RCF’s cutting-edge FiRPHASE technology), the 120-degree x 40-degree true resistive waveguide, and four onboard EQ presets, and the EVOX J11 might be the all-in-one solution for your live sound needs! Cutting-edge FiRPHASE technology To ensure the highest possible sound quality, the EVOX J11 utilizes impeccable waveguide alignment and a full-range transducer array, all while harnessing the power of FIR (Finite Impulse Response), allowing the entire system to respond as a single, unified source. It’s a highly advanced system that delivers exceptionally coherent sound to your entire audience, with minimal phase distortion, minimal latency, and maximum impact. Boasting astounding clarity, optimal transparency, and picture-perfect imaging, RCF’s FiRPHASE technology is all but guaranteed to elevate and refine the sound of your system. Robust 3,500-watt Class D amplifier and EQ presets The RCF EVOX J11 features a robust dual-channel 3,500-watt Class D amplifier, fine-tuned to deliver massive sound pressure levels with an exceptional attack, natural transients, and seemingly bottomless low end. This setup is further bolstered by the EVOX J11's bass-reflex enclosure, 132dB max SPL output, and four integrated EQ presets that deliver streamlined solutions for any setting. First, the Live preset provides exceptional mix balance, while the Linear preset gives you a flat, neutral EQ curve. Additionally, the Club preset extends highs and lows to really get the party started, while the Voice preset prioritizes vocal and dialogue intelligibility. Effortless stage setup Apart from its world-renowned RCF sound, Sweetwater’s live sound pros find that the EVOX J11’s greatest asset is its sheer ease of use. The triple threat of a 12-inch woofer at the base with the integrated tower containing twelve 3-inch full-range Neo transducers and a 1.75-inch Neo compression driver cuts down on setup time (and van space!) since the tower mounts directly to the top of the bass reflex enclosure. Simply screw the pole into the top of the sub, plug in your powerCON TRUE1 cable, and the EVOX J11 is ready to go! RCF EVOX J11 Features: All-in-one live sound solution for solo performers, bands, DJs, and more, ideal for large parties, weddings, corporate events, or other similar settings Stunningly clear sounds from 37Hz–20kHz delivered via 1 x 12-in. RCF precision LF woofer in a bass reflex enclosure, 12 x 3-in. full-range Neo transducers, and 1 x 1.75-in. Neo compression driver 3,500W Class D dual-channel amplifier puts out up to 132dB max SPL FiRPHASE technology all but eliminates phase distortion and latency, while 120° x 40° True Resistive Waveguide ensures wide and consistent coverage 4 onboard EQ presets (Live, Linear, Club, and Voice) provide immediate, effective sound-shaping solutions for virtually any environment Incredibly easy to set up — screw the tower’s pole into the top of the bass enclosure, set your height, plug in, and play

Operating Frequency Range: 60 Hz - 18 kHz 100 Hz - 16 kHz ± 3dB; -6 dB at 77 Hz and 18 kHz 77 Hz - 16 kHz ± 3dB; -6 dB at 66 Hz and 18 kHz ± 35 600 Hz - 16 kHz; + 90 at 250 Hz Maximum SPL5 = 133 dB SPL UPA-2P (-6 dB points) = 45 H; 45 V 12 inch cone driver 3 inch diaphragm compression driver Differential balanced input circuit Female XLR; male XLR-loop 10 kW differential balanced (between pins 2 and 3) Pin 1: chassis; Pin 2: + signal; Pin 3: - signal Common Mode: 425 kHz low-pass; Differential Mode: 142 kHz low-pass > 80 dB (50 Hz - 1 kHz); typically 90 dB Complementary power MOSFET output stages (class AB/bridged) 350 Wrms/channel < .02 % PowerCon locking AC connector 80-264 VAC continuous; 47/63 Hz4 @115 V: 0.25Arms @230V: 0.13Arms @100V: 0.3Arms @115 V: 2.8Arms @230V: 1.4Arms @100V: 3.2Arms @115 V: 3.2Arms @230V: 1.6Arms @100V: 3.7Arms @115 V: 5.0Apk @230V: 2.5Apk @100V: 5.8Apk Inrush current <15A@115V 14.5 inch W x 22.4 inch H x 14.5 inch D Dimensions = 14.5 inch W x 22.4 inch H x 14.5 inch D Weight = 77 lbs (35 kg) Enclosure = 5/8 plywood Finish = Black textured Protective Grill = Hex perforated steel grill, charcoal grey foam Rigging: Four aircraft pan fittings (two on top, two on bottom). Working load is 600 lb (273 kg), based on a 5:1 safety factor.

45 degree conical - 550wats

VariO loudspeaker 100x40 rotatable

Miniature loudspeaker for installations and distributed systems. Available in regular and hypercardioid directional versions. IntelligentDC power. Pairs with the MM-10 subwoofer. Provides fill and spot coverage for larger systems.

The PT3700 teleprompter system is designed for professionals needing to work quickly and efficiently in the field or studio. Featuring solid, aluminium and steel construction, The PT3700 is a durable yet lightweight compact 17" teleprompter kit. The foundation is a 15mm Rod base system, which allows for simple height adjustments and a folding glass frame that makes it easy for you to set up and travel. Adjustable Glass Frame The adjustable glass frame on the PT3700 allows for fast and easy set up. The frame can also be folded to make the teleprompter compact and easy to transport. Extreme Clarity The high quality 70/30 teleprompter glass provides the perfect balance of reflection and pass-through without distorting the image. This high quality glass allows your camera to have great picture, while providing reflection you need to read the text. Dual Purpose Unique Base Plate Design The Dual Purpose Base plate supports various cameras, DSLR's and small to midsized cameras. A unique feature of the base plate is the DSLR Shelf which allows you to put a DSLR camera at the very edge of the base plate to get closer if needed. Height Adjustable The PT3700 includes three height adjustment rods, 75mm, 130mm, and 200mm, making the teleprompter more versatile for various sized cameras. 15mm Rod System Design The PT3700 is based on a 15mm Rod System design, making it lightweight, easy to use, and quick to set up. Ships in Reusable Foam The PT3700 is shipped in reusable custom cut foam which will help keep the kit safe and organized when you set it up or break it down. The custom cut foam can also be repurposed to perfectly fit in the SKB I Series 2918-10 Waterproof Hard Case

UltraCompact Subwoofer - dual 10"

UltraCompact Wide Coverage Loudspeaker 100-degree beamwidth

eeking a full-featured live sound solution in a compact, easy-to-set-up form factor? RCF’s EVOX J9 is an active 3-way PA system that delivers stunning sound performance across nearly the entire frequency spectrum. The EVOX J9 features a dual-channel 2,100-watt Class-D amplifier that powers a single 12-inch RCF precision low-frequency woofer in the lower bass reflex enclosure, plus six 3-inch full-range Neo transducers and a 1.75-inch Neo compression driver in the upper tower. This impressive setup is ideal for solo performers, small ensembles, DJs, and anyone who wishes to project a beautifully musical, highly accurate reproduction of their sound to the entire audience at large parties or corporate events — all with a single piece of gear. Add in the high-level DSP section (including RCF’s cutting-edge FiRPHASE technology) and the 120-degree x 40-degree true resistive waveguide, and the EVOX J9 might be the all-in-one solution for your live sound needs! Cutting-edge FiRPHASE technology To ensure the highest possible sound quality, the EVOX J9 utilizes impeccable waveguide alignment and a full-range transducer array, all while harnessing the power of FIR (Finite Impulse Response), allowing the entire system to respond as a single, unified source. It’s a highly advanced system that delivers exceptionally coherent sound to your entire audience, with minimal phase distortion, minimal latency, and maximum impact. Boasting astounding clarity, optimal transparency, and picture-perfect imaging, RCF’s FiRPHASE technology is all but guaranteed to elevate and refine the sound of your system. Robust 2,100-watt Class D amplifier The RCF EVOX J9 features a robust dual-channel 2,100-watt Class D amplifier, fine-tuned to deliver massive sound pressure levels with an exceptional attack, natural transients, and seemingly bottomless low end. This setup is further bolstered by the EVOX J9's bass-reflex enclosure and 130dB max SPL output. Effortless stage setup Apart from its world-renowned RCF sound, Sweetwater’s live sound pros find that the EVOX J9’s greatest asset is its sheer ease of use. The triple threat of a 12-inch woofer at the base with the integrated tower containing six 3-inch full-range Neo transducers and a 1.75-inch Neo compression driver cuts down on setup time (and van space!) since the tower mounts directly to the top of the bass reflex enclosure. Simply screw the pole into the top of the sub, plug in your powerCON TRUE1 cable, and the EVOX J9 is ready to go! RCF EVOX J9 Features: All-in-one live sound solution for solo performers, bands, DJs, and more, ideal for large parties, weddings, corporate events, or other similar settings Stunningly clear sounds from 37Hz–20kHz delivered via 1 x 12-in. RCF precision LF woofer in a bass reflex enclosure, 6 x 3-in. full-range Neo transducers, and 1 x 1.75-in. Neo compression driver 2,100W Class D dual-channel amplifier puts out up to 130dB max SPL FiRPHASE technology all but eliminates phase distortion and latency, while 120° x 40° True Resistive Waveguide ensures wide and consistent coverage Incredibly easy to set up — screw the tower’s pole into the top of the bass enclosure, set your height, plug in, and play

UltraHigh-Power Subwoofer 2250watts

80x50 degree dispersion. 1275 watts

CDJ2000NXS2 Pro-grade Digital DJ Deck (black)

With a brightness of 7,000 lumens, the Panasonic PT-DZ770 impresses as a powerful DLP projector, specifically for large events. Here professionals use the device to create visually impressive installations, characterized by a high contrast of 2,500:1. At the same time, the images boast a sharp WUXGA resolution of 1,920 x 1,200 pixels. On one hand, it provides the basis for rich color depth. On the other, it ensures an unmistakably high black level. Texts, videos, or Blu-rays are thus always visually appealing even under challenging conditions. Functional and efficient: the Panasonic PT-DZ770 Modern features such as an optional Lens, Freeze or Warping distinguish the lightweight 16 kg Panasonic PT-DZ770. The same applies to Edge Blending, which in combination with its Lensshift function enables uncompromisingly creative and flexible installations. Additionally, the brand device is equipped with a Kensington slot and the proven gamma correction. Connectors such as BNC Video, HD-SDI in or RJ45 in make working with the Panasonic PT-DZ770 easier as needed. The projector features two 300-watt lamps, each with an average lifespan of 3,000 hours in the resource-saving Eco Mode. Continuous operation is thus easier to maintain. This also ensures high fault tolerance. A projection solution for professionals The proven DLP technology from Texas Instruments is among the most important features of the Panasonic PT-DZ770. It ensures consistently high image quality, while the device remains compact thanks to it. This allows the projector to be used precisely where striking images in a 16:10 aspect ratio are required: at public viewings, on large trade shows or important conferences around the globe.

As a single-chip DLP projector designed for large-scale events, the Panasonic PT-DZ870 impresses with a range of well-thought-out product features. These include, besides an impressive brightness of 8,500 lumens, a contrast ratio of 10,000:1. Its WUXGA resolution of 1,920 x 1,200 pixels in a 16:10 aspect ratio also meets high demands. It encompasses almost 2.3 million pixels for visually impressive installations. The Panasonic PT-DZ870 is equipped with an HDCP-capable DVI input to ensure full HDMI compatibility. In addition to the Direct-Power-Off function, this provides extra flexibility in demanding practice. The same applies to the integrated warping function along with LAN connectivity. An RJ45 network port required for this is available. Many viewers, great enthusiasm: the Panasonic PT-DZ870 Whether public viewing, trade fairs or internal corporate large events, the Panasonic PT-DZ870 enables appealing installations to be realized on demand. This is achieved efficiently due to its resource-saving Eco Mode. The average lifespan of the built-in light source is up to 3,000 hours. A high maintenance effort is thus not to be expected with this device. At the same time, the Panasonic PT-DZ870 can be equipped with interchangeable lenses. If used in 24/7 continuous operation, its integrated Edge Blending is also pleasing. This allows multiple projectors to be connected. Installations consisting of multiple images can thus be designed creatively without compromise.

12" 2-way, 2000watts, 75 degree conical

CDJ2000N Pro-grade Digital DJ Deck (black)

Handset, black

Pioneer DJM-900SRT Serato

BP1 belt packs are single-channel. The front panel controls are for the microphone, for controlling listening volume, and for signaling. Single channel portable headset station Call button with signal light Adjustable volume and sidetone levels

Pioneer DJM-900NXS Mixer

The Pioneer DJM-S9 is a 2-channel battle mixer for Serato DJ, featuring robust performance pads, customizable FX buttons, and a durable Magvel Fader. Built for scratch DJs who value precision and creative control.

BP2 belt packs are the same rugged construction as the BP1, with a second channel. Each channel may be signaled and volume-controlled individually. Two-channel portable headset station Speak and listen to one or both channels Two call buttons with two signal lights

The Sennheiser ME66/K6 is the featured shotgun microphone in this kit. As standard in all Basic Kits, a universal shockmount, cabled boompole, a boompole bag, universal hand grip, short and long right angled XLR cables and a set of AA batteries are all included to provide the user with everything necessary for capturing audio for video, film and field production applications. Sennheiser ME66 - Short Shotgun Mic Capsule The Sennheiser ME66 capsule is a popular short shotgun microphone for use with the K6 or K6P power supplies. The modular design of K6-series microphones provide the freedom to adapt compatible capsules when necessary. The ME66 capsule is sold separately to accommodate those who may already own either of the K6 power supplies. The capsule features a highly directional, cardioid polar pattern yielding great attenuation at the sides of the microphone, maximizing pick up at the front. The result is a focused pick-up in highly ambient environments. A wide 40-20,000Hz frequency response provides detailed, accurate signal reproduction. Its short size allows camera mounting while remaining free of the frame. Exceptional Noise Rejection The capsule features a highly directional, cardioid polar pattern yielding great attenuation at the sides of the microphone, maximizing pick up at the front. Wide Frequency Response A wide 40-20,000Hz frequency response ensures detailed, accurate signal reproduction. Compact Camera Mountable The ME66's compact design allows mounting to video cameras and is at home in event videography, ENG / EFP use, video depositions, corporate media applications and film. Sennheiser K6 Microphone System Powering Module The K6 Microphone System Powering Module by Sennheiser is the compatible base for many modular capsules. It features high output levels with low noise, a switchable bass roll-off, and transformerless balanced output. The K6 can operate on a single AA battery (not included) or Phantom power. Its on/off switch also has a battery test position, so you can be sure you have enough juice. The K6's anodized matte black finish will resist abrasions to maintain a professional appearance, even under rigorous usage. K6 Microphone System Powering Module -High output, low noise operation -Switchable bass roll-off filter @ 100Hz -Transformerless balanced output -On/Off switch with battery test position -Battery or Phantom powered -Anodized scratch-resistant finish

Designed to excel in live sound and broadcast applications, the Yamaha CL3 digital mixer delivers outstanding sound quality and impressive show control. Connect Rio series stage boxes (not included) for up to 64 mono and eight stereo mixable channels, with 24 channel faders and two master faders for control. Built-in Virtual Circuitry Modeling created by Rupert Neve Designs gives you access to Neve Portico 5033 EQ and Portico 5043 compressor/limiter processors, plus other spot-on emulations of classic hardware processors. And built-in Dan Dugan automatic mixing makes it easy for any operator to optimize microphones and effectively fight feedback. In short, world-class sound is easily attainable with the Yamaha CL3 digital mixer.

Touch-Enabled Digital Billboard

12" 2-way, 1000watts, 75 degree conical

Unique design allows set up within 30 seconds Supports all standard tripods with spreaders or feet Works with ENG or Studio configured cameras Tripod riser supports up to 200 lbs. Standing platform up to 300 lbs

The Sennheiser MKE 600 Shotgun Microphone can easily connect to a camera, tripod, or boompole to bring elevated audio to your production. Key features include: AA battery or Phantom powered Selectable 100 Hz low-cut filter High sensitivity requires less gain Lightweight and rugged metal housing Sennheiser Quality Shotgun. The Sennheiser MKE 600 shotgun microphone has the sturdy build quality we’ve come to expect from Sennheiser. Although this 10" all-metal mic is longer than other comparable shotgun mics, it’s still very well suited for mounting directly on your camera, tripod, or boompole! High Sensitivity, Low Gains. This MKE 600 provides an interface tube and a supercardioid/lobar polar pattern to deliver powerful and effective sound that can’t usually be obtained with a regular omnidirectional mic. The high sensitivity and low-noise gains of this microphone improves your sound quality without sacrificing tangible audio when using noisy camera preamps. Battery or Phantom Powered. You have a couple options when it comes to fueling the MKE 600. This mic has a single AA battery slot, which can power the mic for up to 150 hours, but please note that this rental does not include any AA batteries. On the other hand, Phantom power from handheld audio recorders, field recorders, or mixer adapters is also available when using a separately available XLR/XLR cable. We include an XLR/3.5mm TRS coiled cable to add to a camera, but you will need a AA battery to operate the mic this way.

55" touch LG panel

4K Touch-Enabled Digital Billboard

w/case & 1/8in. adaptor

QSC K8 2-Way Powered Speaker - 1000 Watts, 1x8"

The UP-4slim ultra-compact installation loudspeaker is ideally suited for applications requiring a small, slim, aesthetically pleasing cabinet that delivers high sound pressure levels with low distortion and uniform coverage. The UP-4slim offers this exceptional audio performance in a compact self-powered package with a remote power supply. As a standalone loudspeaker, the UP-4slim is appropriate for vocal reinforcement, front-fill, and under balcony fill applications. Features: Extraordinary fidelity and power in a compact aluminum package Low distortion drivers and a metal dome tweeter deliver a smooth high-frequency response Wide, symmetrical coverage pattern creates a broad listening area Unique crossover design eliminates comb filtering and yields a consistent midrange response Exceptional SPL-to-size ratio Design supports long cable runs with light-gauge cables Specifications: ACOUSTICAL1 Operating Frequency Range2: 65 Hz – 18 kHz Frequency Response3: 70 Hz – 18 kHz ±4 dB Phase Response: 102 Hz – 18 kHz ±45° Linear Peak SPL4: 116.5 dB with crest factor >16.5 dB (M-noise), 109.5 dB (Pink noise), 112.5 dB (B-noise) COVERAGE Horizontal Coverage: 100° Vertical Coverage: 100° TRANSDUCERS Low Frequency: Two 8-inch cone drivers; 4 Ω nominal impedance High Frequency: One 1-inch metal dome tweeter; 8 Ω nominal impedance AUDIO INPUT Type: Differential, electronically balanced Maximum Common Mode Range: ±15 V DC Connectors: Phoenix 5-pin male Input Impedance: 10 kΩ differential between pins 2 and 3 Wiring: Pin 1: DC Power (-) Pin 2: DC Power (+) Pin 3: Audio Shield, Chassis/earth through 220 kΩ, 1000 pF, 15 V clamp network to provide virtual ground lift at audio frequencies Pin 4: Audio (-) Pin 5: Audio (+) Nominal Input Sensitivity: -2.0 dBV (0.8 V rms) continuous is typically the onset of limiting for noise and music Input Level: Audio source must be capable of producing of +16 dBV (6.31 V rms) into 600 Ω to produce the maximum peak SPL over the operating bandwidth of the loudspeaker. AMPLIFIER Type: 3-channel, Class-D with integral advanced digital signal processing Total Output Power5: 500 W peak THD, IM, TIM: <0.02% Cooling: Convection DC POWER Connector: Phoenix 5-pin male provides power and audio connection (see Wiring above) Safety Agency Rated Voltage Range: 48 V DC (Meyer Sound IntelligentDC External Power Supply Required) DC CURRENT DRAW Idle Current: 0.23 A average Maximum Long-Term Continuous Current (>10 sec): 1.00 A average Maximum Instantaneous Peak Current: 4.5 A peak PHYSICAL Dimensions: W: 4.29 in (109 mm) x H: 15.90 in (404 mm) x D: 5.69 in (144 mm) Weight: 14 lb (6.35 kg) Enclosure: Aluminum with slightly textured black finish Protective Grille: Powder-coated, stamped steel with black mesh Rigging: Top and bottom aluminum plates with M8 threads

The DDJ-SB2 takes you beyond control. Not only does it boast all popular features from the DDJ-SB, it also adds some amazing new pro-DJ functions. Hitting the decks has never been easier and more intuitive - even for first-time DJs. This controller has been upgraded with 4-deck control and dedicated buttons to switch between channels effortlessly. Plus a trim knob and level meters to master the input volume, and Pad Trans beat effects will uplift your DJ skills in no time. TACTILE PERFORMANCE PADS Four rubber pads enable you to trigger Hot Cue, Auto Loop, Manual Loop and Sampler - while a further four give immediate access to Play, Cue, Sync and Shift functions. LARGE JOG WHEELS This compact controller comes with large jog wheels, providing a dynamic performance with great scratch response and accuracy. AUTHENTIC & DYNAMIC DJ PLAY The TRIM knob gives you control of the input volume for each channel, while the level meters allow you to adjust it quickly and accurately. MANUAL FILTER On every channel, to manipulate tracks input from either the software or external hardware. MAKE THE CUT With the Quantized Pad Trans beat effect, you can cut the volume in time with the BPM by simply hitting the performance pads. DO MORE THAN JUST MIX By hitting the Filter Fade button, you can add two high pass filters to the crossfader - so both volume and bass filter can be manipulated using just one hand. Seamless mixing becomes effortless. Serato DJ Intro Download Serato DJ Intro connect your computer to the controller and start DJing. You can easily organise and build music libraries or integrate songs from iTunes. Just drag a track to the deck, set and trigger cues, loops and samples, and apply basic FX. MIDI controller Fully assignable MIDI functionality can transmit most control information to external devices and can also be used as a MIDI controller. Ultimate ease of set up The DDJ is USB powered, so you can simply connect the controller to your computer using the provided USB cable - there is no need for additional connections. Built-in soundcard No more hassle with external soundcards. Thanks to its built-in soundcard, this controller connects straight to your speakers or amplifier. High-quality audio & hardware The DDJ is constructed from premium materials and audio circuitry. The robust build ensures durability, while the distinctive styling and aluminium jog wheel deliver a professional feel. Software System Requirements Windows 8.1/Windows 8/Windows 7 with Service Pack 1 CPU: Intel 2.0 GHz Core Duo/Intel i3, i5, and i7 Core Memory: 1GB Mac OS X 10.10/10.9/10.8 CPU: Intel 1.6 GHz Core Duo/Intel i3, i5, and i7 Core Memory: 1GB Display Resolution 1024 x 768 or higher Width 487 mm Height 58.5 mm Depth 271.2 mm Weight 2.1 kg Soundcard 24 bit/44.1 kHz Frequency Range 20 - 20,000 Hz SN Ratio 90 dB Distortion < 0.005 % (USB) Power Requirements USB (through computer), rated output 5 V DC

The Technics SL1200IIK hire is a go to for all DJs who prefer vinyl over digital or wants to integrate the analog sound into their mix. Please specify when requesting quote if you would also require the styluses as generally the DJ will have these.

Yamaha MSP5 compact powerd monitor

32-channel Digital (16 faders), Auto Mixing Functionality, Dante Network Support

Photosound’s Mirror Image presidential teleprompter comes with the following: Laptop Computer with Prompting Software Dual 1000 Nit, 15″ Script-Reversing Monitors Dual Monitor Cradles Dual 12.75″ x 10″ Smoked Beam Splitters (Mirrors) Dual Manual Telescoping Poles (Up to 6′)

Dual 15"

amaha’s new CL series digital mixing consoles offer an evolved experience in accessible mixing plus sonic purity and advanced sound shaping capabilities that will give the most imaginative engineers unprecedented creative freedom. Yamaha CL series digital mixing consoles represent a new level of refinement. They offer an evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom. The CL series embodies the leading standards in live sound in their most advanced, most expressive form. The CL Series EQ and effects have been vastly expanded. They include an Effect Rack that features VCM analog circuitry modeling technology, as well as a Premium Rack that includes the Rupert Neve Designs Portico 5033 equalizer and Portico 5043 compressor/limiter, developed in close cooperation with Rupert Neve himself. Yamaha began working with Rupert Neve Designs in 2010, developing devices based on Yamaha’s VCM (Virtual Circuitry Modeling) technology. Rupert Neve had this to say about the outstanding quality of the VCM models of the Portico 5033 Equalizer and Portico 5043 Compressor: “This is a very exciting time, because for the first time we have the capability of bringing Rupert Neve sound into the live sound field. This is entirely due to the Yamaha VCM technology. I do believe that it is indistinguishable from the original analog sound.” Two new rack-mountable I/O units, the Rio3224-D and Rio1608-D, can be used in a variety of combinations and configurations, communicating via a scalable Audinate Dante™ digital audio network. Up to eight I/O rack units can be connected to a CL series console, while multiple CL series consoles can share control of the same I/O rack unit. A new Gain Compensation function adds the ability to combine FOH and monitor control via a single network, for comprehensive digital live sound integration. Extra flexibility is provided by the CL StageMix application for iPad, providing wireless remote control capability for setting up and operating CL consoles from anywhere on stage or in the audience seating area. The Yamaha Console File Converter is another useful computer application, allowing data to be shared between CL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used. Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion. Input channels: 48 mono, 8 stereo. Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section. Meter bridge optional. Advantages of Dante Networking: Large bandwidth capability Long cable length capability Uncompressed multi-channel, low-latency digital audio over a standard ethernet network Higher channel count and automatic configuration No need for masses of bulky, heavy, expensive, inflexible copper wires Simple, single lightweight and inexpensive cat5 cable Integrated media and control Control signals on the network without additional cabling Leverage off the shelf IT equipment to take full advantage of IT industry developments in functionality, reliability, availability and cost savings

Audio professionals in search of an ultracompact digital mixer should look no further than the Yamaha DM3, a powerful, full-featured digital console offering superb sound quality, fast and easy setup and operation, and professional-level features for live sound, streaming, and live or home recording and music production.

Yamaha DM7 Compact Digital Console

The Rio3224-D2 is a high-performance I/O unit for Yamaha's CL, QL, and RIVAGE PM series consoles. This digital stagebox is loaded with 32 great-sounding mic preamps that achieve the transparent, natural quality Yamaha is known for. The Rio3224-D2 connects directly to a Dante digital audio network, giving you flexible system configuration at up to 96kHz. You also get four stereo AES outputs. Enjoy peace of mind, thanks to dual redundant power supplies. You can also daisy-chain connections. Beyond that, you'll benefit from local control of gain and other parameters. The live sound pros at Sweetwater appreciate how the Rio3224-D2's character display offers easy visual confirmation of your settings. Related Videos: Rio3224-D2 32x24 Dante Stage Box

Key Features: 9” high-resolution touchscreen with Touch Preview and Touch Cue High quality aluminum top and redesigned buttons are stronger Key Sync for adjusting the key of the next track to match the master deck Key Shift on the touch screen for manually shifting the key of the track 96 kHZ/32-bit floating processing in all playable formats Rekordbox-ready to give access to more features and enhanced track information Pro DJ Link with Gigabit ethernet for sharing and playing audio files from USB and SD cards on up to 6 CDJ-3000 units

Yamaha DM7

The TF1 console itself provides 16 analog XLR/TRS combo mic/line inputs with 48V phantom power, as well as 2 analog RCA stereo line inputs, and 16 analog XLR outputs. Each combo input channel features a recallable D-PRE microphone preamp, as well EQ and two dynamics processors. In addition, the console offers eight powerful FX processors with patches ranging from reverb and delay, to modulation effects such as flanger and chorus, to utility processing like 3-band multi-band compression. The TF1 ships with Steinberg's Nuendo Live for advanced multi-tracking and virtual sound check capabilities.

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